After the tragedy, [a statue of Confederate general Robert E. Lee in Charlottesville, Va.] and another honoring Stonewall Jackson were shrouded, but only temporarily. Around the country, similar monuments have been removed. In some cases, only their pedestals remain.

We asked artists to contemplate these markers of our country’s racist and violent history — the space they take up, physically and psychically — and imagine what should happen when they are gone. — The New York Times

The 378-page recommendation report filed by a group of preservationists, including preservationist Richard Schave and architect and 20th century architectural historian Alan Hess, calls on the city to protect the three most iconic structures of the Los Angeles Times complex [...] Purely from a design perspective, preserving The Times complex — once known as Times Mirror Square — is a difficult proposition. — latimes.com

The destruction of Syria’s heritage over the past eight years is the subject of a significant show due to open at the Museum of Islamic Art (MIA) in Doha later this year. The exhibition, entitled Syria Matters (opens 23 November), aims to explore the country’s centuries-old “extraordinary cultural heritage” against the backdrop of the raging conflict that has seen the destruction of six Unesco world heritage sites under President Bashar al-Assad. — The Art Newspaper

Much of the magnificent 3,000-year-old temple of Ain Dara, with its mysterious and massive footprints and a structure that provides clues for understanding the biblical temple of Solomon in Jerusalem, has been destroyed in a Turkish airstrike. [...]

Photos and video from the Syrian Observatory and Hawar News confirm that more than half of the temple is gone, including many of the sculptures that ringed the site. — National Geographic

The International Criminal Court (ICC) ruled on 17 August, that an Islamic extremist caused €2.7m in damages when he destroyed shrines in Timbuktu, Mali, in 2012. This is the first time that the ICC has made a ruling solely on cultural destruction, setting an important precedent. [...]

Islamic extremists used pickaxes and bulldozers to destroy nine mausoleums and the centuries-old door of the Sidi Yahya mosque, built during a golden age of Islam [...]. — theartnewspaper.com

Slated to open in 2018, the Memorial to Peace and Justice in Montgomery, Alabama will seek to tell the truth. Six acres of land owned by the Equal Justice Initiative—the legal services nonprofit Stevenson founded in 1989—will memorialize the more than 4,000 victims of what Stevenson calls racial terror lynching in the American South between 1877 and 1950. A nearby museum will tell the history of slavery, lynching, segregation, and mass incarceration as a single narrative. — Citylab

“You can argue that any sculpture is art in some way, but it’s a loose argument,” Schoonmaker said Tuesday. “I don’t know that these statues are worthy of preservation as art objects so much as historical objects – made to preserve a lost cause, a lost war. They weren’t made with great artistic intent, but with political intent. And intent matters in this case.” — The New Observer

As many onlookers cheered Friday, a crane hoisted the statue of Confederate Gen. Robert E. Lee from the top of a monument in New Orleans.

It is the fourth, and final, Civil War-era landmark the city has removed since late April.
The effort to remove New Orleans' monuments has been part of a nationwide debate over Confederate symbols, which some argue represent slavery and injustice and others say represent history and heritage. — CNN

Syrian government troops have retaken Palmyra from Islamic State forces, with help from Russian air support, the Syrian army said in a statement on Thursday. Politicians in Russian welcomed the news as a triumph, as widely reported by the state’s media, but few details have emerged about the condition of the ancient site, where Isil has previously wreaked large-scale destruction. [...]

Isil first took Palmyra in May 2015 and the extremist group destroyed a number of important monuments [...]. — theartnewspaper.com

The Eiffel Tower is to undergo a €300m, 15-year refurbishment, Paris’s mayor Anne Hidalgo announced on Friday. [...]

The planned refurbishment is intended to bolster the French capital’s bids to host another World’s Fair in 2025 and, before that, the 2024 Olympic and Paralympic games [...].

The project will be managed by the tower’s operator, the Société d’Exploitation de la Tour Eiffel, a public service company wholly owned by the City Council. — theartnewspaper.com

ISIS forces have retaken the ancient city of Palmyra in Syria, according to Syrian government media, the ISIS media wing and a human rights monitor. [...]

ISIS first seized control of Palmyra, a UNESCO World Heritage Site, in May 2015. Syrian government forces recaptured it in March this year. [...]

ISIS demolished many of the city's ancient treasures, including the 1,800-year-old Arch of Triumph and the nearly 2,000-year-old Temple of Baalshamin, as well as the Temple of Bel. — CNN

One of the tallest surviving structures from the ancient world has been totally destroyed by Isil extremists at Nimrud, the former capital of Assyria, which was captured by Iraqi government forces on 13 November. The ziggurat, which was nearly 2,900 years old, was obliterated. Only the largest Egyptian pyramids are higher than Middle Eastern ziggurats and central American step pyramids.

[...] incidents represent “the worst damage that Isil has inflicted on Iraqi archaeology”. — theartnewspaper.com

In the first case of its kind, the Islamic extremist Ahmad al-Faqi al-Mahdi has today (22 August), pleaded guilty to war crimes for destroying historic monuments in the ancient city of Timbuktu in northern Mali. Al-Mahdi is accused of ordering the razing of nine mausoleums and the 15th-century Sidi Yahia mosque. It is the first time the International Criminal Court (ICC) in The Hague has heard a case about the demolition of cultural heritage. — theartnewspaper.com

For 45 years, Iran's most famous modern monument, the Azadi (Freedom) Tower in Tehran, has been the backdrop to every major news story coming out of the country...Hossein Amanat was a rising star in Iran's architectural scene when, in 1966, he won a national competition to design the monument...Its historical pull, he believes, lies in the tower's evolution as a 'symbol of Iran'...that is both intensely Iranian and Islamic at the same time. — BBC