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Despite having been closed for several years, the pavilion at 12th and Reed remains a much-loved landmark in Passyunk Square, where it is affectionately known as the “Roundhouse.” The contrast between its heavy stone walls and jaunty modernist roof make it unlike anything else in Philadelphia. Until it was eclipsed by a bigger community center in 2005, it was the place where neighborhood residents went to play bocce and take art classes. — The Philadelphia Inquirer
As Philadelphia gets ready to undertake a $2.4 million renovation of the city's Columbus Square park, a curious stone drum topped by a folded plane roof set to be demolished under the plan has caught the public's attention. Debate over the structure's provenance, particularly, whether the... View full entry
The loss of this charming pavilion would be a double blow for Philadelphia history. Not only is Columbus Square’s little stone tower a fine example of mid-century modern design, it is also one of a handful of surviving buildings by Elizabeth Hirsh Fleisher, the first woman in Philadelphia to receive a license to practice architecture. — Inga Saffron, philly.com
The crown-roofed cylindrical pavilion designed by Elizabeth Hirsh Fleisher in 1960 is a landmark in South Philadelphia's Columbus Square. Now, the building is slated for demolition as part of a renovation of the park. “Because this is women’s history month, it’s also worth pointing out... View full entry
This week we're joined by Inga Saffron, the Pulitzer Prize-winning architecture critic for the Philadelphia Inquirer. If you haven't read her latest piece on Henry Wilcots, the relatively unknown architect responsible for finishing Louis Kahn's masterpiece in Dhaka, go read it now. We talk with... View full entry
It would be the decisive moment in Wilcots’ life. By saying yes, he ended up devoting more than 20 years to helping Kahn build the new capital...The meetings would cause him to move to Philadelphia, a place that at the time seemed to him far less welcoming to African Americans than Dhaka. When Kahn suffered a fatal heart attack in 1974...Wilcots would assume the awesome task of finishing a Louis Kahn masterpiece. — Inga Saffron for the Philadelphia Inquirer
This article sheds light on the story of Henry Wilcots (now 89 years old), the much overlooked architect who was responsible for completing Louis Kahn's Dhaka National Assembly masterpiece. Dubbed as the “Kahn whisperer” by fellow colleagues, the calm-and-collected Wilcots was able to have a... View full entry
A spec office is not how a superstar usually makes a debut. [...]
Ingels hasn't reinvented the form with 1200 Intrepid, but he does manage to inject it with an impressive level of pizzazz, imagination, and even refinement. [...]
The optical effects are mesmerizing. If you stand at the corner and look across the breadth of the facade, the front wall appears to be tumbling to the ground like a collapsing row of dominos. The curves are reminiscent of a Richard Serra sculpture.
— philly.com
Related on Archinect:Inside Bjarke Ingels' Serpentine Pavilion: "The work becomes a pure manifestation of that architect."Bjarke Ingels Group + AECOM join forces with Hyperloop"The first major architect who disconnected the profession completely from angst": Rem on BjarkeBIG unveils moat-encircled... View full entry
News Dave Heller spoke with Inga Saffron about not just architecture but "city life criticism". Evan Chakroff asked for tips "Has anyone compiled a good 'top ten' of her articles?" Quondam replied "Links to Saffron's articles appear almost weekly within ArchNewsNow's daily collection of... View full entry
Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week.
She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities.
— newsworks.org
Previously: Inquirer's architecture critic Inga Saffron wins Pulitzer Prize for criticism View full entry
Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism.
In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise."
— philly.com
