in the middle of a historic pandemic, with massive numbers of people unemployed and the city’s economic fortunes uncertain, developers seem to have decided that this is a perfect time to build on the Delaware. — The Philadelphia Inquirer

Conventions and trade shows are now wrestling with the same challenges facing schools, religious groups, and professional sports. Whenever large numbers of people gather indoors, in tightly enclosed spaces with mechanical air circulation, odds are that spikes in coronavirus infections will follow. — The Philadelphia Inquirer

Stan Wischnowski, the top editor of The Philadelphia Inquirer, resigned on Saturday, days after an article with the headline “Buildings Matter, Too,” on the effects of civil unrest on the city’s buildings, led to a walkout by dozens of staff members. — The Philadelphia Inquirer

Does the destruction of buildings matter when black Americans are being brazenly murdered in cold blood by police and vigilantes?

That’s the question that has been raging on the streets of Philadelphia, and across my architecture-centric social media feeds, over the last two days as a dark cloud of smoke spiraled up from Center City. — The Philadelphia Inquirer

The urban changes that Philadelphia experienced in the first years of the 21st century were gentler and more likely to enhance the city’s existing 20th-century form. The tech-induced trends from the last 10 years have challenged that physical form by radically reconfiguring the way we move through, and interact with, the city. — The Philadelphia Inquirer

Despite having been closed for several years, the pavilion at 12th and Reed remains a much-loved landmark in Passyunk Square, where it is affectionately known as the “Roundhouse.” The contrast between its heavy stone walls and jaunty modernist roof make it unlike anything else in Philadelphia. Until it was eclipsed by a bigger community center in 2005, it was the place where neighborhood residents went to play bocce and take art classes. — The Philadelphia Inquirer

The loss of this charming pavilion would be a double blow for Philadelphia history. Not only is Columbus Square’s little stone tower a fine example of mid-century modern design, it is also one of a handful of surviving buildings by Elizabeth Hirsh Fleisher, the first woman in Philadelphia to receive a license to practice architecture. — Inga Saffron, philly.com

It would be the decisive moment in Wilcots’ life. By saying yes, he ended up devoting more than 20 years to helping Kahn build the new capital...The meetings would cause him to move to Philadelphia, a place that at the time seemed to him far less welcoming to African Americans than Dhaka. When Kahn suffered a fatal heart attack in 1974...Wilcots would assume the awesome task of finishing a Louis Kahn masterpiece. — Inga Saffron for the Philadelphia Inquirer

A spec office is not how a superstar usually makes a debut. [...]

Ingels hasn't reinvented the form with 1200 Intrepid, but he does manage to inject it with an impressive level of pizzazz, imagination, and even refinement. [...]

The optical effects are mesmerizing. If you stand at the corner and look across the breadth of the facade, the front wall appears to be tumbling to the ground like a collapsing row of dominos. The curves are reminiscent of a Richard Serra sculpture. — philly.com

Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week.

She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities. — newsworks.org

Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism.

In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise." — philly.com