Follow this tag to curate your own personalized Activity Stream and email alerts.
Not so long ago, density was promoted as a way to enliven underpopulated cities, particularly their downtowns. Then it became a tool for fighting climate change. Now, density is increasingly seen as an equity issue. [...]
Two notorious projects help us understand the difference between density that enhances a neighborhood and projects that big-foot their surroundings.
— The Philadelphia Inquirer
In her latest column for the Inquirer, architecture critic Inga Saffron dissects two new mid-rise apartment building projects at opposite ends of Philadelphia (the "poop building and the Scrooge building," as she nicknames them) and how their individual approaches toward urban densification can... View full entry
in the middle of a historic pandemic, with massive numbers of people unemployed and the city’s economic fortunes uncertain, developers seem to have decided that this is a perfect time to build on the Delaware. — The Philadelphia Inquirer
Inga Saffron, architecture critic for The Philadelphia Inquirer, offers a survey of several planned developments taking shape along the Delaware River in Philadelphia as a special tax holiday for residential development in these areas is set to expire on December 31, 2020. Saffron... View full entry
Conventions and trade shows are now wrestling with the same challenges facing schools, religious groups, and professional sports. Whenever large numbers of people gather indoors, in tightly enclosed spaces with mechanical air circulation, odds are that spikes in coronavirus infections will follow. — The Philadelphia Inquirer
Inga Saffron, architecture critic for The Philadelphia Inquirer, probes some of the existential questions facing large urban convention centers, massive facilities that have had their spatial and economic potentials deeply challenged by the COVID-19 pandemic. Saffron reports on efforts to... View full entry
Stan Wischnowski, the top editor of The Philadelphia Inquirer, resigned on Saturday, days after an article with the headline “Buildings Matter, Too,” on the effects of civil unrest on the city’s buildings, led to a walkout by dozens of staff members. — The Philadelphia Inquirer
The inappropriate and offensive headline, conceived for a column written by The Philadelphia Inquirer architecture critic Inga Saffron, drew widespread condemnation from the public and journalists at the newspaper alike, and resulted in the newspaper's editors issuing a public apology for writing... View full entry
Does the destruction of buildings matter when black Americans are being brazenly murdered in cold blood by police and vigilantes?
That’s the question that has been raging on the streets of Philadelphia, and across my architecture-centric social media feeds, over the last two days as a dark cloud of smoke spiraled up from Center City.
— The Philadelphia Inquirer
Inga Saffron, architecture critic for The Philadelphia Inquirer, offers a nuanced look at the relationship between protest, property destruction, and economic development in under-invested areas in her latest column. The article comes as cities around the country grapple with fierce protests... View full entry
The urban changes that Philadelphia experienced in the first years of the 21st century were gentler and more likely to enhance the city’s existing 20th-century form. The tech-induced trends from the last 10 years have challenged that physical form by radically reconfiguring the way we move through, and interact with, the city. — The Philadelphia Inquirer
Inga Saffron, architecture critic for The Philadelphia Inquirer provides a tech-focused decade-in-review highlighting the impact of smartphone technologies on the city’s urbanism. Highlighting the proliferation of “fast-casual” food, buildings, and development approaches, Saffron... View full entry
Despite having been closed for several years, the pavilion at 12th and Reed remains a much-loved landmark in Passyunk Square, where it is affectionately known as the “Roundhouse.” The contrast between its heavy stone walls and jaunty modernist roof make it unlike anything else in Philadelphia. Until it was eclipsed by a bigger community center in 2005, it was the place where neighborhood residents went to play bocce and take art classes. — The Philadelphia Inquirer
As Philadelphia gets ready to undertake a $2.4 million renovation of the city's Columbus Square park, a curious stone drum topped by a folded plane roof set to be demolished under the plan has caught the public's attention. Debate over the structure's provenance, particularly, whether the... View full entry
The loss of this charming pavilion would be a double blow for Philadelphia history. Not only is Columbus Square’s little stone tower a fine example of mid-century modern design, it is also one of a handful of surviving buildings by Elizabeth Hirsh Fleisher, the first woman in Philadelphia to receive a license to practice architecture. — Inga Saffron, philly.com
The crown-roofed cylindrical pavilion designed by Elizabeth Hirsh Fleisher in 1960 is a landmark in South Philadelphia's Columbus Square. Now, the building is slated for demolition as part of a renovation of the park. “Because this is women’s history month, it’s also worth pointing out... View full entry
This week we're joined by Inga Saffron, the Pulitzer Prize-winning architecture critic for the Philadelphia Inquirer. If you haven't read her latest piece on Henry Wilcots, the relatively unknown architect responsible for finishing Louis Kahn's masterpiece in Dhaka, go read it now. We talk with... View full entry
It would be the decisive moment in Wilcots’ life. By saying yes, he ended up devoting more than 20 years to helping Kahn build the new capital...The meetings would cause him to move to Philadelphia, a place that at the time seemed to him far less welcoming to African Americans than Dhaka. When Kahn suffered a fatal heart attack in 1974...Wilcots would assume the awesome task of finishing a Louis Kahn masterpiece. — Inga Saffron for the Philadelphia Inquirer
This article sheds light on the story of Henry Wilcots (now 89 years old), the much overlooked architect who was responsible for completing Louis Kahn's Dhaka National Assembly masterpiece. Dubbed as the “Kahn whisperer” by fellow colleagues, the calm-and-collected Wilcots was able to have a... View full entry
A spec office is not how a superstar usually makes a debut. [...]
Ingels hasn't reinvented the form with 1200 Intrepid, but he does manage to inject it with an impressive level of pizzazz, imagination, and even refinement. [...]
The optical effects are mesmerizing. If you stand at the corner and look across the breadth of the facade, the front wall appears to be tumbling to the ground like a collapsing row of dominos. The curves are reminiscent of a Richard Serra sculpture.
— philly.com
Related on Archinect:Inside Bjarke Ingels' Serpentine Pavilion: "The work becomes a pure manifestation of that architect."Bjarke Ingels Group + AECOM join forces with Hyperloop"The first major architect who disconnected the profession completely from angst": Rem on BjarkeBIG unveils moat-encircled... View full entry
News Dave Heller spoke with Inga Saffron about not just architecture but "city life criticism". Evan Chakroff asked for tips "Has anyone compiled a good 'top ten' of her articles?" Quondam replied "Links to Saffron's articles appear almost weekly within ArchNewsNow's daily collection of... View full entry
Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week.
She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities.
— newsworks.org
Previously: Inquirer's architecture critic Inga Saffron wins Pulitzer Prize for criticism View full entry
Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism.
In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise."
— philly.com
