If you've been itching to climb that new Thomas Heatherwick-designed 'Vessel' staircase sculpture at the Hudson Yards development in New York City, you'll have to exercise patience first until the $150 million attraction officially opens to the public in spring 2019. To manage the anticipated... View full entry
Opening night finally arrived for Taiwan's new National Kaohsiung Center for the Arts on October 13. Located on a former military training base in Weiwuying Park, the Mecanoo-designed building houses a 2,236-seat Opera House, a 1,981-seat Concert Hall, a 1,210-seat Playhouse, a 434-seat Recital... View full entry
In Tonantzintla the smart cities proposal became a lightning rod for those concerned about a development that seemed to favour outsiders rather than residents...“They are ashamed of their roots,” [local resident Mercedes] Tecuapetla Quechol says. “They saw something they liked in the United States or in Europe, so they want to put it here.” — The Guardian
The Mexican town of Santa Maria Tonantzintla is caught in the all-too-familiar situation of preserving its centuries-old customs as newer smart-city technologies are being introduced. While city officials and planners argued that implementing new technology intends to benefit the community... View full entry
Two years ago, the company asked thousands of people about where they felt “most at home.” At the time, 20% of subjects said it wasn’t the space in which they lived. Two years later, they asked again, and found the number has risen by 15% among people who live in cities. In other words, 35% of people who live in cities don’t feel at home in their house or apartment. — Fast Company
Ikea, the largest furniture company in the world, may know a thing or two when it comes to styling a home. However, what many Ikea consumers may not know is that alongside its holding company INGKA Holding a yearly research report is conducted studying and identifying how people live. Since... View full entry
The Studio Daniel Libeskind-designed MO Modern Art Museum in central Vilnius opened its doors to the public today. At 3,100 m2, the building — which is also Lithuania's largest private museum — houses nearly 5,000 never-before-seen works by Lithuanian artists from the mid-20th century to the... View full entry
Join us in celebrating the launch of the newest issue of Project Journal at Archinect Outpost on Friday, October 26th, 6-9 PM. RSVP to reserve your spot! Issue 7 of Project Journal features a brilliant wrap-around cover by David Eskenazi, as well as the work of many great theorists and... View full entry
The A+D Museum has announced Gallery X, a branch of the A+D dedicated to curating public spaces and bringing the making and implementation of art to a wider more diverse audience. Gallery X aims to reach beyond the walls of the institution and produce local engagement through facilitate... View full entry
More speculation on the always-relevant subject of "Old People in Big Cities Afraid of the Sky." #futurism #urbanism #demographics #climatecrisis #Mid21C — McKinsey & Company
Joe Frem, Vineet Rajadhyaksha and Jonathan Woetzel report on four major forces (the competition for talent, an increasingly connected world, the Anthropocene age, and technology’s ever-expanding role) shaping today’s cities and offer a 14-point vision for thriving cities of the future. h/t... View full entry
After a horse race ad was projected onto the structure’s iconic roof earlier this week, protestors took to the streets in objection to the commodification of their beloved building. — CityLab
Hundreds of protesters had gathered in the evening hours of October 9 when the, usually, off-white iconic sails of the Sydney Opera House were used as a video projection canvas to promote a major upcoming horse race in New South Wales. The crowd booed and tried to interrupt the projection with a... View full entry
To create a better general culture of understanding around architecture, urban design and urban development issues, we need to use all of the narrative tools that we have at our disposal, claims Cassim Shepard in the interview we did with him entitled "Understanding Urban Narratives: What Cannot be Measured" for this new issue of MONU, "Narrative Urbanism". — http://www.monu-magazine.com/news.htm
“To create a better general culture of understanding around architecture, urban design and urban development issues, we need to use all of the narrative tools that we have at our disposal, claimsCassim Shepardin the interview we did with him entitled“Understanding Urban Narratives: What Cannot... View full entry
The 2018 edition of the annual The Progress 1000: London's most influential people list has been released, and among the myriad of categories from the worlds of politics, entertainment, art, philanthropy, sports, technology, or science, there is (phew) also a list of architects who made the most... View full entry
Architectural education is plagued by the mentality that suffering is a necessary part of its practice. [...] The acceptance of suffering easily slips into normalizing sexual misconduct and its suppression as simply part of the practice. Cultlike worship of the star architect only exacerbates this condition, and there are plenty [...] willing to sacrifice their time and integrity because they have been conditioned to believe that this mode of production is normal. — The New York Times
The architecture world is known for many movements that have enabled architects to create iconic works. From bauhaus to brutalist, midcentury modern to contemporary, countless movements have impacted the architectural timeline. But in today's climate of inclusivity and representation is there one... View full entry
Krier himself may not be fascist. Nor are most of the people involved in reconstructing the Garrison church or the new Old Town. But the defence of the political neutrality of architecture is wearing thin. — the guardian
In 1991 Max Klaar, a retired German lieutenant-colonel, presented the municipality of Potsdam with a replica of a famous carillon, which from 1797 to 1945 had played themes by Bach and Mozart (Papageno’s Ein Mädchen oder Weibchen from The Magic Flute) from the tower of the city’s Garrison... View full entry
Created for the annual exhibition House Vision, the prototype is a thought experiment in the way people live in super-dense cities. [...] It’s a common problem in big cities all over the world, and Hasegawa’s design is meant to balance space-saving with privacy, transforming a 1.5-story space (which are common across the city) into a usable space for four. — Fast Company
Highly-dense cities are common through out countries like China and Japan. Popular apparel and houseware brand, Muji, are taking creative steps in tackling long commutes and dense city living most employees face. Partnering with Japanese architect, Go Hasegawa, Muji's apartment prototype aims to... View full entry
The elevator-phobic people of New York City are almost our own subculture [...] I’ve fantasized at times about a kind of utopia: a gleaming glass city free of elevators. But for now I, just like Gabriella and Rachel and Kevin and Nakia, still live in New York, and still constantly have to force myself to enter slim or squat boxes of despair. Why haven’t we left? What strange fate have we dealt ourselves, to live in a place full of hellscapes. — Amos Barshad, Topic
Having a deeply ingrained fear of elevators while living in a vertical landscape like New York City — which has over 60,000 elevators, by the way — isn't easy for some folks, like writer Amos Barshad. He and other fellow New Yorkers he interviews talk about how their phobia began, their search... View full entry