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For the third time in this already record-breaking week, Foster + Partners has revealed images of a recently-completed commercial tower after the ribbon-cutting ceremony for the firm’s long-awaited 425 Park Avenue project was held earlier today in Manhattan. The tapering 897-foot design begins... View full entry
The terminal will also be an underground gallery of sorts, featuring enormous mosaics by two female artists with strong New York City connections, M.T.A. Arts & Design, which commissions art for the transit authority, is announcing Friday: Kiki Smith, a longtime resident known for her figurative work, and Yayoi Kusama, the Japanese sculptor and installation artist who lived in the city from 1958 to 1975. — The New York Times
The $11 billion transportation project opens in December after a lengthy 16-year construction period. Kusama’s past public installations have drawn the admiration of millions from outside the art and design worlds, while the German-born and New York-based Smith is considered a leading figure of... View full entry
An exhibit traveling around China is facing legal action by the artists the exhibit claims to be showcasing. According to Nikken Asian Review, a Chinese company has been putting on pop-ups since April that have been displaying forged works meant to be by contemporary Japanese artists Yayoi Kusama... View full entry
The Japanese artist Yayoi Kusama‘s reflective Narcissus Garden, which she first showed at the Venice Biennale in 1966, is set to open in the Rockaways on July 1. The work, which is comprised of 1,500 mirrored, stainless steel orbs, will be installed in a former train garage at New York’s Fort Tilden, a former US military base on the beach.
Kusama’s Narcissus Garden was also on view at Philip Johnson’s Glass House in 2016 and at England’s Chatsworth House in 2009.
— artnet
Gateway National Recreation Area at Fort Tilden, T9 building. Site of Yayoi Kusama’s Narcissus Garden for Rockaway! 2018. Image courtesy MoMA PS1. Photo: Pablo Enriquez."Narcissus Garden was first presented in 1966 when Kusama staged an unofficial installation and performance at the 33rd Venice... View full entry