The architecture of forced displacement is the subject of “Insecurities: Tracing Displacement and Shelter,” a forthcoming exhibit at the Museum of Modern Art. The exhibit will assemble work by architects, designers, and artists responding to the global refugee crisis.

Curated by Sean Anderson, MoMA’s associate curator for architecture and design, with curatorial assistant Arièle Dionne-Krosnick, “Insecurities” will include works of design built to help alleviate suffering inside refugee camps. — citylab.com

California may be a capital of cosmetic surgery, but it’s not just noses and eyelids falling under the knife. A hot housing market is driving buyers to pay exorbitant sums for old, frumpy houses, knowing they’ll pay plenty more to remake them to modern tastes. Others currently own dowdy houses and choose to renovate rather than relocate. — Wall Street Journal

As Seattle’s Alaskan Way Viaduct sat free of cars overhead and drivers attempted to move around the city during the roadway’s planned 2-week closure, a new drone video Tuesday showcased again what all the fuss is about. A view inside the SR 99 tunnel won’t get much better than this until you’re actually able to drive through it. [...]

The 4-minute video captures what has been built behind nearly 1,600 feet of mining along Seattle’s waterfront. — geekwire.com

Bardell and Howe have been working together for the past decade and have started executing guerrilla-style living sculptures in the river, a project they call the River Liver Series. [...]

“One of the things that keeps us here is how exciting we think the next 10 years is going to be,” Howe says of L.A. “When they actually do this river revitalization, it’s going to be L.A.’s Central Park. Culturally, I think it’s the spot to be on the West Coast.” — laweekly.com

Homelessness increased in the last year in the city and county of Los Angeles, leaving nearly 47,000 people in the streets and shelters despite an intensive federal push that slashed the ranks of homeless veterans by nearly a third, according to figures released Wednesday by the Los Angeles Homeless Services Authority. — the Los Angeles Times

Façadomy is new publication that looks at contemporary identity through the lenses of art and architecture. Façadomy's inaugural issue, Gender Talents explores the landscape of self-determined gender. It builds off the work of progressive sexologist Esben Esther P. Benestad, who has observed seven distinct genders in their practice as a therapist in Norway. Three prominent voices in contemporary art and architecture reflect on these seven themes... — Façadomy

It's not clear where or when this wooden slat revival started exactly, but it was roughly a decade or so ago and has been creeping through Los Angeles like kudzu ever since. In decades to come, it'll be a signifier for the exhaustive pace at which the city has changed in the past 5 to 10 years—for better or worse. And even though it can be spotted throughout the greater L.A. area or other markets entirely, architectural designer Marc Cucco finds the slat to be "specific to Eastside L.A." — laist.com

It has been whispered about for months, but now it’s official: Vornado Realty Trust is offering up a palatial four-floor apartment at 220 Central Park South that is priced at a record-smashing $250 million.
The massive condominium will encompass floors 50 through 53 of the Robert A.M. Stern-designed limestone tower, and it will span some 23,000 square feet [...]. The asking price works out to nearly $11,000 per square foot. — therealdeal.com

With the future of a Lucas Museum on Chicago's lakefront in doubt, the city of Waukegan is asking the organizers to look a little to the north.

Waukegan Mayor Wayne Motley reached out to Mellody Hobson, a Chicago financial executive and the wife of "Star Wars" creator George Lucas, about locating the proposed museum featuring digital, traditional and narrative art on Waukegan's lakefront, a city spokesman said on Wednesday. — Chicago Tribune

A brick is an obdurate object of ambiguity that hovers between idea and matter, between life and death. Its texture can be smoothed to glide our touch or left rough and abrade. It can be molded into even shapes for consistent construction or made uneven, presenting individual challenges each time one is laid in a course. But while it can come close to an ideal oblong shape, it never attains perfection, and it can as much be said that it approaches perfection as it resists it. — Numéro Cinq

I’m blind, so my nose tells me what neighborhood I’m in.

My dog and I – we walk. We’ll walk from 125th down to Houston. The smell of Harlem is definitely different now. It’s more open. There’s a new class of people. The whole thing feels like someplace else. — The Guardian

And so I seek out the airport chapel, interfaith space, prayer room, or meditation center, and see how each country’s particular tics and prejudices play out as spiritual architecture in technopolitical space. I rarely see other people in my visits to these places. — Witte De With Review