The exhibition at the MAK Center in West Hollywood, curated by UCLA architectural historian and critic Sylvia Lavin, is a wry study of the ways Los Angeles artists and architects worked with, leaned on, stole from and influenced one another in the 1970s.
In a larger sense, it charts the way Southern California architects threw off the influence of establishmen Modernism and helped remake the profession in that decade.
— latimes.com
Packed with mostly small-scale work by artists Judy Chicago, Billy Al Bengston, Robert Smithson, Ed Moses and architects Robert Venturi, Denise Scott Brown, Charles Moore, Cesar Pelli and Frank Gehry, among many others, it is easily the most surprising and opinionated of the exhibitions to open as... View full entry
This summer at the almost defiantly unhip South Street Seaport, there shall be pop-up boutiques housed in shipping containers. There shall be outdoor film screenings with lounge-chair seating. There shall be SmorgasBar. And, the lords of artificial weather willing, there may be glitter rain. — cityroom.blogs.nytimes.com
The Heron’s architect was N. D. Austin, a 31-year-old artist known for what he calls “trespass theater.” “It’s about making the invisible visible,” he said of his philosophy.
Mr. Austin located a suitable water tower by scouring Buildings Department records for violations with egregious scaffold fines. That can indicate a neglectful landlord, he said, which meant it might be a vacant building ripe for adopting as one’s own.
— nytimes.com
One Saturday night last month, 12 guests squeezed through the trap door into the space. “The great thing about the upright bass is how it got up here,” said Dirby Luongo, one of Mr. Austin’s collaborators who played the doorman. “It’s like a ship in a bottle.” View full entry
Beth Mosenthal penned a thoughtful Op-Ed titled The Ego and the Architect. Therein, she briefly examined "the idea of ‘leadership’ in an architectural office". News Celebrating the fact that "the Museum of Modern Art blinked" Michael Kimmelman wrote an article... View full entry
Back in February, we had published the winners of Gowanus by Design's second design and planning competition, WATER_WORKS. The intent of the competition, according to David Briggs, co-founder of Gowanus by Design, was to design a new community resource in Douglass/Greene Park that shares the site with a Combined Sewer Overflow [CSO] retention facility. — bustler.net
The award winners, along with other entries selected by the GbD competition committee, will be on display tomorrow, Wednesday, May 22, at the Old American Can Factory Gallery, 232 Third Street at Third Avenue in Brooklyn, NY. The event starts at 6:30PM. Previously: Gowanus by Design: WATER_WORKS... View full entry
In his first solo exhibition in a New York museum since 1980, American artist James Turrell sets out to reimagine the iconic rotunda of Frank Lloyd Wright’s Guggenheim Museum in a dramatic transformation. The luminous and immersive site-specific work, Aten Reign, will be part of the upcoming exhibition James Turrell at NYC's Solomon R. Guggenheim Museum which opens on June 21, 2013. — bustler.net
Gehry fans in NYC, here's one for you: A selection of over 30 Frank Gehry process models is currently on display at Manhattan's Leslie Feely Fine Art. The exhibition FRANK GEHRY AT WORK opened in April and still runs until June 29. The gallery is located at 33 E 68th Street, 5th Floor. — bustler.net
Following the release of CLOG: Brutalism—the architecture journal's most recent issue—CLOG and DoCoMoMO NY Tristate are pleased to co-sponsor a panel discussion that will focus on the politics, opportunities, and constraints surrounding these structures. The conversation will address common issues faced by Brutalist buildings including their structural potential, aesthetics, and how these factors and more make the question of preserving Brutalist structures difficult and oftentimes contentious. — clog-online.com
For those of you who heart brutalism, we still have some t-shirts left. Oh, and CLOG is hiring, if you haven't heard. View full entry
The Vatican’s presence at the Biennale is the brainchild of Cardinal Gianfranco Ravasi, an exuberant polymath who as president of the Pontifical Council for Culture since 2009 has tried to build bridges between the church and contemporary culture, two worlds that have often clashed. — nytimes.com
His eye-catching buildings have helped define the architecture of post-independence India. — BBC News
A new exhibition at the Royal Institute of British Architects in London - which has been gifted Correa's archive - celebrates his decades-long career. The BBC's took a look with the designer, fellow architect David Adjaye. View full entry
Thursday, MoMA director Glenn D. Lowry sent a memo to MoMA's trustees and staff announcing the museum had retained Diller Scofidio + Renfro to "work with us to design a plan that will integrate the Museum's current building with the property of the American Folk Art Museum. . . . We readily agreed to consider a range of options, and look forward to seeing their results." — AM New York
Thursday, MoMA director Glenn D. Lowry sent a memo to MoMA's trustees and staff announcing the museum had retained Diller Scofidio + Renfro to "work with us to design a plan that will integrate the Museum's current building with the property of the American Folk Art Museum. . . . We readily... View full entry
At the Ideas City street fair: An installation made from discarded styrofoam by Terreform ONE rises in front of Raumlabor's Spacebuster, a mobile inflatable pavilion comissioned by the Storefront for Art and Architecture. — archrecord.com
The (de)vices and virtues of hand drawing versus digital drawing will be debated at "WWW Drawing: Architectural Drawing from Pencil to Pixel" at the Drawing Center, in SoHo New York, this Saturday May 11 from 2-4 pm — a symposium co-produced by Penn State University's Stuckeman School of... View full entry
Pesce hasn’t had a comprehensive solo show in his adopted hometown since a 1999 exhibit tucked away at Columbia University’s School of Architecture. “He’s a legend and a New Yorker, so that tragedy needed to be corrected,” said Steven Learner, the creative director of the new Collective.1 Design Fair, where Pesce’s retrospective opened today. — tmagazine.blogs.nytimes.com
For more information on the Collective .1 Design Fair, click here. View full entry
Now is the time stop starting with "in the future" in relationship to digital technology. This show will tell, "in the past digital technology did this." It is time to write its history. — CCA
Greg Lynn aims to pull the curtain on the digital positioning of sci-fi and other camps and record the history of the subject for what it really is or was. This could help the recent debates of what is what, and, depending on the curation, place certain legacies in place. View full entry