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Shohei Shigematsu has provided an update on the newly topped out New Museum expansion designed by OMA with Cooper Robertson. The $89 million project adds 60,000 square feet, effectively doubling the institution’s exhibition spaces while supporting a host of new programmatic inclusions for the... View full entry
The Office of Metropolitan Architecture (OMA) has unveiled a faceted, prismatic design for the firm’s proposed expansion to the SANAA-designed New Museum in New York City. Designed by OMA partner Shohei Shigematsu in collaboration with Cooper Robertson, the 60,000-square-foot addition marks... View full entry
The New Museum announced today the appointment of V. Mitch McEwen as Curator of IdeasCity, the museum's initiative exploring the future of cities. McEwen is the principal and cofounder of A(n) Office, a collaborative of design studios in Detroit and New York exploring the... View full entry
Last year, the New Museum announced that Rem Koolhaas and Shoehei Shigematsu would be heading the institution's expansion that will nearly double their footprint in New York. The contemporary art museum has been situated at 235 Bowery in a building designed by the Japanese firm SANAA since... View full entry
The New Museum Board of Trustees announced Wednesday that OMA’s Rem Koolhaas and Shoehei Shigematsu will design the museum’s new building at 231 Bowery as part of the institution’s expansion. The new structure, purchased by the contemporary art museum in 2008, will link the museum’s... View full entry
Museum displays are typically meant to be seen and not touched, but a recent wave of exhibitions is upending those rules. Take DELQA, an interactive music and light installation opening in the New Museum's NEW INC space on August 6. Showcasing the music of Matthew Dear combined with Microsoft's Kinect technology, the project allows participants to touch, push and poke suspended mesh walls to manipulate a musical composition, creating their own unique experience of the space. — core77
If you're on the hunt for weekend plans in NYC, DELQA will be at the New Museum only from August 6-9!More on Archinect:How architecture helped music evolve - David Byrne Frank Gehry: Is Music Liquid Architecture?How an "egalitarian incubator" music venue hopes to revive Brooklyn's art... View full entry
As a nod to skate culture innovation, the New Museum in New York collaborated with U.S. skateboard manufacturer Chapman Skateboards to create a limited-edition skate deck shaped as the iconic staggered-block building that was designed by Japanese firm SANAA.Inspired by a New Museum Store window... View full entry
The New Museum will be opening an incubator for art, technology, and design next summer in the institution's adjacent building at 231 Bowery in New York. SO-IL architects in collaboration with Gensler will design the new 11,000 sq.foot facility, which will be located inside a 19th-century... View full entry
At the Ideas City street fair: An installation made from discarded styrofoam by Terreform ONE rises in front of Raumlabor's Spacebuster, a mobile inflatable pavilion comissioned by the Storefront for Art and Architecture. — archrecord.com
The submission "MirrorMirror" by Buffalo-based architecture practice Davidson Rafailidis has been selected by Storefront for Art and Architecture and the New Museum as the winning entry of the 2013 IDEAS CITY StreetFest Tenting Competition. — bustler.net
Can a building ever be compared to Lady Gaga? Most experts may say no, but they obviously haven't seen the New Museum, one of the best looking museums ever made according to Delaine Isaac. — youtube.com
If all goes as planned, the New Museum’s five-year-old building on the Bowery will become something of an amusement park beginning Oct. 26, with visitors hurtling through a giant plastic tube from the fourth floor to the second — New York Times
Mr. Koolhaas’s vision is even more apocalyptic. A skilled provocateur, he paints a picture of an army of well-meaning but clueless preservationists who, in their zeal to protect the world’s architectural legacies, end up debasing them by creating tasteful scenery for docile consumers while airbrushing out the most difficult chapters of history. The result, he argues, is a new form of historical amnesia, one that, perversely, only further alienates us from the past. — nytimes.com
