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Marcel Breuer's first binuclear house, Geller I in Lawrence, New York has been demolished in the dead of night. Geller I is largely considered the project that propelled Breuer to private practice in New York and prompted the Museum of Modern Art to commission Breuer to design an exhibition house in the museum’s courtyard entitled The House in the Museum Garden in 1949. — Docomomo US
The conservation advocacy organization chalked up the loss to a combination of changing local property dynamics and the inability of the town of Hempstead’s planning laws to prevent the destruction of a structure it says would have claims to both the New York State and National Register of... View full entry
Prices for a famed duo’s only realized US home seem to be on a permanent decline this month after hitting the market almost three years ago. The Bioscleave House sits amongst exclusive real estate in the Hamptons and was the planned home of a pair of artists who together formed an entity now... View full entry
For years, suburbia has offered these companies acres of disposable, cheap, anonymous office parks: mostly one- or two-story concrete structures surrounded by loads of surface parking. These sites minimized costs, maximized security and allowed companies to scale up, contract or split into different units quickly — at the same time they promoted sprawl and traffic jams and transformed once-quaint bedroom communities south of San Francisco into phenomenally expensive places to live. — The New York Times
Even though Amazon's search for its new headquarters' locations has ended all the talks and negotiations about the company's potential impact on the cities it will settle in — New York and Crystal City, Virginia—have only begun. In ways, the choice comes as no surprise as tech platforms... View full entry
Landscape architect Catherine Seavitt, along with her team at the City College of New York, take those approaches to Jamaica Bay a step further as part of the larger Structures of Coastal Resilience study, which includes three other East Coast bays attended to by university-based teams. As Seavitt explains, her studio follows a growing trend in the field of landscape architecture toward experimental and science-based design processes and active participation in policy discussions. — urbanomnibus.net
First, parking structures need to be used for longer periods of the day and for different purposes, both public and private. [...]
Second, parking structures need to be designed as flexible structures that can accommodate transitions from parking alone to a variety of other uses as parking ratios decline with further mixed-use development and increased use of shared parking facilities and transit.
— urbanland.uli.org
Related on Archinect: The Life of a New Architect: Elizabeth Christoforetti View full entry
The new building cost about $26 million to build—70 percent below the previous budget. But is less less? When the new plan was announced, Nicolai Ouroussoff, writing in the Times, thought so, calling it "a major step down in architectural ambition."
Ouroussoff was wrong. True, no one can know what the "cluster of pavilions" would have looked like. I can only report that the rectangular building is a triumph. The materials are gorgeous.
— archrecord.construction.com
Modern Tide: Midcentury Architecture on Long Island explores the work of the region’s best postwar architects and designers, including Albert Frey, Wallace Harrison, Herbert Beckhard, Frank Lloyd Wright, Horace Gifford, Edward Durrell Stone, Marcel Breuer, Andrew Geller, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski, and others. The film features interviews with architects and historians, as well as friends, families and clients of these influential designers. — vimeo.com
Three winners and four Honorable Mentions have been revealed for the suckerPUNCH-curated Long Island Cinema Center competition in Queens, New York. The international design ideas competition challenged entrants to create a large scale center to celebrate cinema and rescue the moviegoing experience from fading into obsolescence. — bustler.net
