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Now, his first Chicago skyscraper, Streeterville’s One Bennett Park, is nearing completion. [...]
“It has a very special site,” he said. “It will be a building that is memorable, I hope. I think it has already made an impression on the skyline. I would describe it as a building that has roots in the skyscrapers of New York in the 1920s and ‘30s, which people generally call Art Deco, but maybe that’s a kind of sloppy term.”
— WTTW
"There are a lot of architects who seem intent on entertaining other architects," Stern says in his WTTW interview. "I would like the respect of my peers, but I would like the public to embrace my buildings." Image: Robert A.M. Stern Architects Image: Robert A.M. Stern Architects View full entry
The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic
Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry
In Miami, Arquitectonica took up these newfound freedoms with gusto, and did it differently than almost anyone else, deploying architectural elements in evocative, surreal, and highly charismatic ways that might have had little to do with the threadbare functionalist arguments of late Modernism, but functioned brilliantly upon the imagination of the press, Miamians, and clients alike. — citylab.com
Adam Nathaniel Furman takes a closer look at the meteoric rise of Laurinda Spear and Bernardo Fort-Brescia's firm Arquitectonica and the undeniable influence it has had on Miami's architecture since the late 1970s. Although the founders rejected the 'Postmodern' label, "these buildings came to... View full entry
With more and more buildings of the postmodern school regaining media attention—either by entering the realm of heritage protection or by getting contemporary makeovers (essentially taking the Po out of PoMo)—we've now learned about another threatened structure, designed in the late 1970s by... View full entry
The designation protects the exterior of the building, including the facades of the office tower, annex, and enclosed covered passageway, and notably preserving its rose Stony Creek granite cladding and the broken pediment at its crown. Going forward, any proposed alterations to the exterior will require approval and permitting by the [NYC Landmarks Preservation Commission]. — Architectural Record
It's official. The AT&T Building is now a designated landmark. Late last year, Snøhetta's plans to redesign the historic building sparked months of heated debate among architects, preservationists, and critics. View full entry
Plans to expand the Museum of Contemporary Art San Diego, which involve demolishing part of Robert Venturi and Denise Scott Brown’s 1996 addition, have come under fire as architects fight to save the beloved postmodern work. With over 70 signatures, including those of Sir Terry Farrell, Paul... View full entry
That we are now starting to get to grips with PoMo architecture’s controversial legacy is welcome, not least because other important buildings have already been destroyed, and others are threatened. [...]
Today the worlds of design and conservation are more closely allied than before. But even as this latest batch of postmodern buildings has won protected status, it is worth noting that important brutalist buildings are still excluded from the roster.
— The Guardian
Commentary by Catherine Croft for The Guardian on Historic England's recent selection of 17 postmodern buildings to be listed as heritage without extending the same love to important examples of the brutalist school. Recently received Grade II listed status: Judge Business School, University of... View full entry
Designed by Michael Graves, the pioneering Portland Building is at once considered to be a postmodern icon as well as the "ugliest building in Oregon". A rectangular block of four, heavily ornamented, salmon and turquoise facades, the building can easily be likened to a small, fancy French... View full entry
The Longaberger basket building has been sold.
The iconic seven-story office building at 1500 E. Main St. in Newark has been sold to Coon Restoration of Louisville, which is near Canton. The developer has an eye toward converting the building and its 21-acre site to a new use, the company said in a release.
— bizjournals.com
Developer Steve Coon, the landmark building's new owner, hasn't revealed specific details about his redevelopment plans for the property but announced Cleveland-based Sandvick Architects as the designers for the job. View full entry
The Bonaventure has become a focal point for the debate on Postmodernism, ever since its discovery as a Postmodern hyperspace by [cultural theorist] Fredric Jameson some years ago…It’s a landscape that’s highly fragmented. It’s a space that de-centers you, makes you feel lost. And in this feeling of being lost and dislocated, you feel that your only recourse is to submit to authority. You’re helpless, you’re made helpless, you’re peripheralized, you’re lost in these spaces. — Ed Soja, eastofborneo.org
In light of John Portman's passing, here is a 6 minute clip with urban theorist Ed Soja discussing the postmodern nature of the infamous architect's Bonaventure Hotel located in downtown Los Angeles. h/t to Orhan from this thread. View full entry
This year, the group has expanded aggressively into the City of London, snapping up floor space usually reserved for large corporates over the year to date, including large offices in Moorgate — its largest site globally — and at One Poultry, a Grade II listed building directly opposite the Bank of England. — Financial Times
The start up WeWork has acquired One Poultry, the Grade II post-modern icon designed by James Stirling and completed in 1998. After a heavily contested designation, the building is currently in the process of undergoing an extensive refurbishment headed by Architects BuckleyGreyYeomen and expected... View full entry
Can Helmut Jahn's Thompson Center be saved? A newly released short documentary, Starship Chicago, delves into the struggle and controversy around preserving the state of Illinois building. Some see the building as a unique representation of transparent government and Chicago's architectural... View full entry
A week to the day in which Norwegian design firm Snøhetta released their ambitious designs to modernize Phillip Johnson's Postmodern icon — the AT&T building in New York — Norman Foster has come out and added his name and gravity in support of the building protests against the proposed... View full entry
The news of Snøhetta's renovation of Philip Johnson's iconic postmodern AT&T Building has the architectural world abuzz, with many lamenting the controversial overhaul. There is a petition going around to give the building landmark status—only recently made possible due to the structure's... View full entry
Philip Johnson and John Burgee's 1984 AT&T Building, for many, signaled the arrival of Postmodernism onto the world scene. Now known as the Sony Tower, the 37-story skyscraper's deployment of historicity contradicted the glass and metal modernism of its neighbors, signaling a new architectural... View full entry
