Russian police say they're looking for the intellectually minded miscreants who graffitied "Kant is a moron"—along with a flower and heart—on the philosopher's home outside Kaliningrad.

With Arthur Schopenhauer dead for 155 years, however, authorities start off with few strong leads. — theatlantic.com

After almost a year of impassioned debate, the Glasgow School of Art’s Director has announced that its Library will be restored to its original state. [...]

In response to Professor Inns' statement, Professor of Architecture Alan Dunlop asserts below that Mackintosh himself sought new forms in architecture and that there are architects capable of designing a new Library to live within his original masterpiece. — bbc.co.uk

Developer Jason Illoulian of Faring Capital is the new owner of the land under the restaurant and its 43 parking spaces ... his plan: To build a “community of shops” where the parking lot now stands. [...]

“It’s such a beautiful building and that sign is just like fucking awesome,” he says.

Will there be room in this new village for an $11.99 steak dinner? “We’re hoping to keep it as a 24- hour diner,” says Illoulian of the restaurant space. “Whether it’s Norms or somebody else.” — lamag.com

Yesterday, legislators in Orange County, New York failed to stave off the demolition of Paul Rudolph's Orange County Government Center. In January, county executive Steven M. Neuhaus vetoed a proposal that would entertain outside bids like Manhattan architect Gene Kaufman's, to purchase, restore, and repurpose the structure. Kaufman also proposed designing a new government center next door, with a proposed budget less than that of the county's current plan [...]. — curbed.com

Michael Kimmelman’s column this week, about the debate over plans to demolish a midcentury Paul Rudolph building in Goshen, N.Y., makes the case for why it should be saved. It is only one example of his taking up a cause. As The Times’s architecture critic, he has not been shy about advocacy.

Here, he describes why he’s been outspoken in supporting this building, which doesn’t have the profile of other fights he has taken up. — nytimes.com

Let me share a secret with you. Even those who love the Gothic extravagance that is the Victorian Palace of Westminster know that great swaths of it are out of date. [...]

In 2015 the urgent question is again what to do about it. [...] options ranging from staggering on as usual with make-do-and-mending to a new 21st-century building on a new site, possibly far from London. — theguardian.com

Built largely in secret and under decidedly unorthodox circumstances, the Whitney [Plantation] had been turned into a museum dedicated to telling the story of slavery — the first of its kind in the United States.

Located on land where slaves worked for more than a century, in a state where the sight of the Confederate flag is not uncommon, the results are both educational and visceral. — nytimes.com

Islamic State militants ransacked Mosul’s central museum, destroying priceless artefacts that are thousands of years old, in the group’s latest rampage which threatens to upend millennia of coexistence in the Middle East.

The destruction of statues and artefacts that date from the Assyrian and Akkadian empires, revealed in a video published by Isis on Thursday, drew ire from the international community and condemnation by activists and minorities that have been attacked by the group. — theguardian.com

The Chinese government has promised to protect a rural mountain village that contains some of the country’s oldest temples and residences. [...]

Despite designating Banpo as a protected heritage site in 2007, the Jincheng city government nonetheless allowed the Shanxi Jincheng Anthracite Mining Group to displace the village later that year. [...] Nearly every building was destroyed and those that remained were left in ruins. — theartnewspaper.com

On December 21, 2014, the Berkeley Art Museum permanently closed its iconic Modern building in preparation for a move to a nearby new building in 2016. Considered by many to be the Bay Area’s most remarkable example of Brutalism [...]. Although the building is a local landmark and listed on the National Register, its intricate concrete forms pose seismic safety risks, leaving a future for the building unclear. — docomomo-us.org

It’s easy enough to blame economic forces for the postwar destruction of slave markets, but not for the persistent concealment of their history. One hundred and fifty years after the Civil War, the South has no shortage of memorials to the Lost Cause, while memorials to the slave trade remain few and far between. [...]

After the Civil War, Johnson says, “the price of moving forward for the white United States was the forgetting of slavery.” — citylab.com

This week, English Heritage ... listed 14 late 20th century office developments as historic monuments. The buildings, all constructed between 1964 and 1984, will now be protected from summary demolition or insensitive remodeling, standing as examples of the best architecture of their period. [...]

The buildings being spared might seem extremely modest, even provincial. That could partly be the point—the buildings are supposed to be representative of their country, after all. — citylab.com

But Steven M. Neuhaus, Orange County executive, seems determined to pursue the teardown plan. [...] He recently vetoed a proposal that would have allowed the county to sell the center to Mr. Kaufman.

County legislators meet on Feb. 5. [...]

But many people who spoke at a public hearing last month in Goshen endorsed Mr. Kaufman’s proposal. It would save the center, potentially save the county a fortune, bring in tourist dollars and even put the Rudolph building on the tax rolls. — nytimes.com

The US Army is looking to recruit the next generation of “Monuments Men and Women” to help preserve sites and cultural property in combat zones and to advise troops on heritage. [...] It is turning to museum directors, archaeologists and preservationists to fill these posts. [...]

With extremist groups such as Islamic State using the destruction of cultural heritage as a tool of war, such expertise is needed more than ever. — theartnewspaper.com