The Frick Collection has yielded.

Facing a groundswell of opposition to a proposed renovation that would have eliminated a gated garden to make way for a six-story addition, the museum — long admired for its intimate scale — has decided to abandon those plans and start over from scratch. [...]

With the proposed renovation, designed by Davis Brody Bond, the Frick, on East 70th Street in Manhattan, had sought to increase its exhibition space [...]. — nytimes.com

Axel Bering and Michael Jacobi, the main investors behind the Prora project, claim they could not care less about a building once being dedicated to Hitler. [...]

He and his partner, Michael Jacobi, both confess that because they had to comply with German regulations, their investment carries some Third Reich architecture qualities. They did, however, add a balcony, but otherwise they see Prora as a nice beach town and a solid investment. — thedailybeast.com

During the [1964-65 World's Fair], the elliptical Tent of Tomorrow was used as a versatile performance space...But not much has been done to preserve the structure since the fair ended in 1965...At the moment, there are no formal proposals, and ['Modern Ruin' film director Matthew Silva] admits it’ll be hard to raise funds without one. But he hopes the film, as well as his advocacy group, will get people thinking about what can be done. — New York Magazine

The interior of the Four Seasons restaurant, a vision of Modernist elegance with its French walnut paneling and white marble pool of bubbling water, should not be changed, New York City’s Landmarks Preservation Commission decided [...].
The decision was a setback to Aby J. Rosen, the owner of the Seagram Building, which is home to the restaurant. Mr. Rosen had proposed what he characterized as minor changes to the interior that was designed by Ludwig Mies van der Rohe and Philip Johnson in 1958. — nytimes.com

Amanda Burden often said that, thanks to Bloomberg, "we are building and rezoning today once again like Moses on an unprecedented scale, but with Jane Jacobs in mind." That's oxymoronic. You can't do both. As for who's winning the future of New York, it's clearly the followers of Moses. The preservationists are the underdogs here. — nymag.com

While the museum describes the 42,000-square-foot addition as something that would “further fulfill Henry Clay Frick’s long-standing vision to offer public access to its works of art," others, including a group of 51 prominent artists and architects — Jeff Koons, Cindy Sherman [...] among them — think it would undermine exactly what they love about the place.

Under the banner of Unite to Save the Frick, this group sent a letter to the city, copied to the museum, expressing their displeasure. — vulture.com

It's been over 50 years, but for many, the destruction of Charles Follen McKim's original Pennsylvania Station still stings (hey, even Mad Men mourned its passing). But now, there is a hopeful (if improbable) plan from Richard W. Cameron—principal designer at Atelier & Co—to bring back the civic jewel of a long-gone New York.

According to Traditional Building's's Clem Labine, Cameron's plan has three main goals [...]." — ny.curbed.com

This modernist villa on the Côte d’Azur, designed by Irish architect Eileen Gray, has witnessed wartime shootings, murder and vandalism by Le Corbusier. Now, at last, it has been brought back to life [...]

Le Corbusier visited and, apparently outraged that a woman could have made such a significant work in a style he considered his own, assaulted it with a series of garish and ugly wall paintings, which he chose to execute completely naked. — theguardian.com

As the museum turns 50 this year and debate continues about LACMA Director Michael Govan's plan to replace the Pereira buildings (and a later addition by Hugh Hardy) with a giant new wing by Swiss architect Peter Zumthor, it's worth remembering how the original LACMA campus was greeted — as well as a few things about the Los Angeles into which it was born. — latimes.com

New plans for the Frank Lloyd Wright house in Arcadia has neighbors riled up.

Owners of the 1952 house want to turn it into more than just a home, but those living in the wealthy neighborhood aren't too happy about it.

[...] said the Frank Lloyd Wright-designed house is "an example of what I consider to be an architecture embodiment of Arizona exceptionalism."

However, this landmark home now finds itself in the middle of controversy. — azfamily.com

When the Lambert Houses were completed in 1973 as part of the Bronx Park South Urban Renewal Area, the complex was quickly recognized as a significant architectural and social contribution. [...]

So when UO columnist Susanne Schindler learned that Phipps is planning to demolish and redevelop the Houses, citing structural issues and significant security concerns, she wanted to understand what went wrong at this much-lauded site. — urbanomnibus.net

Prolific Los Angeles Modernist Rudolph Schindler designed dozens of timeless duplexes, apartments, houses, and office buildings, but he only ever designed one church. Bethlehem Baptist Church in Central-Alameda was built in 1944 for a small, black church congregation. Now, just after a much-needed restoration to what was for many years a pretty rough-looking building, the architecturally significant church—an official Los Angeles Historic-Cultural Landmark—is up for sale. — la.curbed.com

Houston’s iconic NRG Astrodome “can and should live on” as a multi-use park that will enhance the quality of life for residents of the city, serve as a popular tourist destination, and catalyze economic development that enhances the greater NRG Park and benefits the region as a whole, according to a report released today from the Urban Land Institute (ULI). — uli.org