Turning iconicity on its head, MVRDV have designed a striking building that purposefully refuses easy categorization. Depending on the angle from which it is viewed, the Baltyk Tower seems to assume different forms, a look that is achieved by a series of scenic terraces and a rippling... View full entry
The Krakow Academy of Music recently announced Gehry Partners as the winner of a competition to design the school's new complex of educational facilities and main concert hall, which will be built on a former military site in the southern part of Krakow's Grzegórzki district.When the Krakow... View full entry
At 53 stories tall, the Foster + Partners-designed Varso Tower is set to become the tallest building Poland. Construction has just begun on the office tower, which is being developed by HB Reavis and is part of a complex that includes two other buildings designed by Hermanowicz Rowski Architects... View full entry
The 2016 World Architecture Festival has come to a close. After a final round of presentations and jury critiques for the Day One and Two category winners, the National Museum in Szczecin in Poland made it to the top as the ninth recipient of the coveted World Building of the Year. Designed by... View full entry
The Palace of Culture and Science, a 237 meter tall socialist realist high-rise, towers over the city of Warsaw, Poland. Given as a “gift” to the Polish people by the Soviet Union, the building was originally called the Joseph Stalin Palace of Culture and Science. It was built between 1952 and... View full entry
This post is brought to you by Figueras International Seating. Katowice, a city of 300,000 inhabitants in the South of Poland, wants to leave its past of mining industry behind. In the heart of the city, and on what was formerly a mine and its inevitable mountains of mining residue, today we find... View full entry
The lady on the ladder chosen as the image for the 2016 Biennale Architettura sees, amidst “great disappointments[,] creativity and hope,” states Paolo Baratta, president of the Venice Biennale. “[S]he sees them in the here-and-now, not in some uncertain aspirational, ideological future.”... View full entry
From 1917 to 1991 in the former Russian Empire, and from 1945 to 1989 in the countries it dominated after the war, there was no real private ownership. No landowners, no developers, no “placemakers” - in half of Europe. Did this mean public space was done differently, and are attitudes to it different in those countries? [...] observed more closely, public space here is every bit as complex as it is elsewhere in Europe. — theguardian.com
Related stories in the Archinect news:Owen Hatherley on a Stalinist city's efforts to "de-communize"The New East is where western starchitect dreams come true (or turn into nightmares)Michael Kimmelman on Public Squares View full entry
The Polish government plans to demolish about 500 Soviet monuments throughout the country, head of the Institute of National Remembrance Lukasz Kaminsky said in an interview with online portal Onet.pl, the RBC news website reported Thursday.
Kaminsky — whose institute is responsible for investigating crimes against the Polish nation — said that plans for the demolition of the monuments, would be sent to local authorities in the coming weeks.
— the Moscow Times
According to the report, the monuments will be relocated to museums where they can serve as a "witness of hard times."Many Soviet war memorial have been vandalized and demolished in Poland, whose population views the Soviet role in the Second World War "with ambiguity or outright... View full entry
A group of German architects and planners has started a campaign to rebuild the Wolf House, widely seen as a link between van der Rohe’s early, more conventional designs and his later buildings, like the Barcelona Pavilion and the Farnsworth House, that would redefine modern architecture. [...]
But the plan has run into resistance from other architects and scholars who say that the Wolf House would be too hard to reconstruct [...].
— nytimes.com
Related stories in the Archinect news:Two of a kind: photographer Robin Hill contemplates the Farnsworth House and Glass House simultaneouslyRedesign of DC's main Mies library tip-toes around the good and the badDavid Chipperfield pledges to carefully "optimize" Mies van der Rohe's Neue... View full entry
No two people, let alone architects, perceive even the most frequented cities in the same way. How do designers experience their cities as locals?A tumultuous sequence of political upheaval and renewal just within the last century has transformed Warsaw into a bustling incubator of creativity for... View full entry
During a ceremony recently held at the Mies van der Rohe Pavilion in Barcelona, the European Commission and the Fundació Mies van der Rohe officially announced the Philharmonic Hall of Szczecin as the 2015 recipient of the biennial European Union Prize for Contemporary Architecture – Mies van... View full entry
As buildings from the postmodern eon continue to age with their residents, questions about historic significance and aesthetic relevance start to surface, leading to often heated debates whether the structures we used to love so much already merit magisterial protection or should give way for the... View full entry
On a regular office workday when the weather is fair, it can be hard to resist stepping outside to take a quick breather. The designers of Zalewski Architecture Group from Gliwice, Poland found themselves in a similar mindset as they looked out onto the dreary courtyard outside from their... View full entry
The most visible legacy of Communist rule, the grand and often eye-catching buildings have become a source of heated debate in Poland with critics condemning them as an ugly and unwanted reminder of a past best forgotten. Defenders stress their architectural merits and argue that the buildings are now part of the national heritage. — economist.com
Related: Winner of Changing The Face 2013 to revamp Warsaw’s saw-toothed Rotunda View full entry
