"Citizenfour," in fact, enlarges and underlines ideas about architecture, privacy and culture that run more subtly through a number of Oscar nominees. Several [...] movies exploit the dramatic appeal of the constricted, labyrinthine, tightly packed, claustrophobic or paranoid space: the crowded backstage corridors of "Birdman" by Alejandro G. Iñárritu; the tunnels, hallways and dollhouse-like spaces of Wes Anderson's "The Grand Budapest Hotel"; the Edmund Pettus Bridge in Ava DuVernay's "Selma." — latimes.com
Related: Julia Ingalls' Material Witness series on Archinect View full entry
Interiors is a magazine devoted to investigating the architectural designs of film settings. Creators Mehruss Jon Ahi and Armen Karaoghlanian explain how they deconstruct these fictional spaces down to a blueprint level. [...]
It starts out with a detailed essay on how space is used in a setting--perhaps the house from Up or the spaceship from 2001: A Space Odyssey--and continues with blueprints from specific scenes [...].
— fastcocreate.com
