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The Miller House and Garden, now owned by the Indianapolis Museum of Art, is acknowledged as one of the greatest Modernist collaborations. This thirteen-acre property was developed between 1953 and 1957 as a unified design through the close teamwork of Kiley, architects Eero Saarinen and Kevin Roche, interior designer Alexander Girard (who is acknowledged in the film), and clients J. Irwin and Xenia Miller. — Huffington Post
The recent film Columbus is centered around a love story of a son of a renowned architecture critic stuck in a small Midwestern town and a 'young architecture enthusiast' who works at the local library. Taking place in mid-century Modernism mecca, Columbus, IN, the motion picture spares plenty... View full entry
"Citizenfour," in fact, enlarges and underlines ideas about architecture, privacy and culture that run more subtly through a number of Oscar nominees. Several [...] movies exploit the dramatic appeal of the constricted, labyrinthine, tightly packed, claustrophobic or paranoid space: the crowded backstage corridors of "Birdman" by Alejandro G. Iñárritu; the tunnels, hallways and dollhouse-like spaces of Wes Anderson's "The Grand Budapest Hotel"; the Edmund Pettus Bridge in Ava DuVernay's "Selma." — latimes.com
Related: Julia Ingalls' Material Witness series on Archinect View full entry
Interiors is a magazine devoted to investigating the architectural designs of film settings. Creators Mehruss Jon Ahi and Armen Karaoghlanian explain how they deconstruct these fictional spaces down to a blueprint level. [...]
It starts out with a detailed essay on how space is used in a setting--perhaps the house from Up or the spaceship from 2001: A Space Odyssey--and continues with blueprints from specific scenes [...].
— fastcocreate.com
