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The opulent Sicilian castle featured in the third installment of The Godfather franchise has just gone on the market. For a cool €6m prospective buyers can expect 22 bedrooms, eight bathrooms, a wine cellar, an artist’s studio, a library, a private chapel and 2.1 acres of parkland. — The Art Newspaper
The fate of the sizable art collection located inside the house remains an important (and much more valuable) question as so far only the in situ works that exist in the house have been confirmed included in the sale. The manse was commissioned as a collector’s de facto private museum by a Baron... View full entry
The new film, co-written and produced by Jordan Peele and directed by Nia DaCosta, needed a backdrop for the home of one of the characters (played by Rebecca Spence). Production designer Cara Brower knew the perfect place where a design-obsessed art critic would live: the modernist masterpiece that is Marina City on the Chicago River. — The Wall Street Journal
Like the original, the movie is set in the notorious Cabrini-Green housing project that has become synonymous with both the city’s South Side and the inhumane forms of low-income housing that dominated the era. Candyman creator Clive Barker said he selected Chicago for the adaptation in part... View full entry
“While the film’s cast is a long list of recognizable names (Tilda Swinton, Benicio Del Toro, Frances McDormand, Jeffrey Wright) one of its biggest stars is the city, showcased in a tour that makes up one of the segments. Rather than creating multiple town exteriors on a backlot, the filmmakers found a real French town, Angoulême, and used it as the movie’s beating heart, dressing it up or down as needed.” — The New York Times
Wes Anderson and his crew for "The French Dispatch" transformed the city of 42,000 into 125 different individual sets including a former knitting factory, which it was able to successfully reshape into a multipurpose studio space complete with a carpentry mill and three stages. Anderson’s... View full entry
The Miller House and Garden, now owned by the Indianapolis Museum of Art, is acknowledged as one of the greatest Modernist collaborations. This thirteen-acre property was developed between 1953 and 1957 as a unified design through the close teamwork of Kiley, architects Eero Saarinen and Kevin Roche, interior designer Alexander Girard (who is acknowledged in the film), and clients J. Irwin and Xenia Miller. — Huffington Post
The recent film Columbus is centered around a love story of a son of a renowned architecture critic stuck in a small Midwestern town and a 'young architecture enthusiast' who works at the local library. Taking place in mid-century Modernism mecca, Columbus, IN, the motion picture spares plenty... View full entry
"Citizenfour," in fact, enlarges and underlines ideas about architecture, privacy and culture that run more subtly through a number of Oscar nominees. Several [...] movies exploit the dramatic appeal of the constricted, labyrinthine, tightly packed, claustrophobic or paranoid space: the crowded backstage corridors of "Birdman" by Alejandro G. Iñárritu; the tunnels, hallways and dollhouse-like spaces of Wes Anderson's "The Grand Budapest Hotel"; the Edmund Pettus Bridge in Ava DuVernay's "Selma." — latimes.com
Related: Julia Ingalls' Material Witness series on Archinect View full entry
Interiors is a magazine devoted to investigating the architectural designs of film settings. Creators Mehruss Jon Ahi and Armen Karaoghlanian explain how they deconstruct these fictional spaces down to a blueprint level. [...]
It starts out with a detailed essay on how space is used in a setting--perhaps the house from Up or the spaceship from 2001: A Space Odyssey--and continues with blueprints from specific scenes [...].
— fastcocreate.com
