The new film, co-written and produced by Jordan Peele and directed by Nia DaCosta, needed a backdrop for the home of one of the characters (played by Rebecca Spence). Production designer Cara Brower knew the perfect place where a design-obsessed art critic would live: the modernist masterpiece that is Marina City on the Chicago River. — The Wall Street Journal
Like the original, the movie is set in the notorious Cabrini-Green housing project that has become synonymous with both the city’s South Side and the inhumane forms of low-income housing that dominated the era. Candyman creator Clive Barker said he selected Chicago for the adaptation in part because of his interest in disparate architecture as a symbol of inequality. Director Jordan Peele was able to recreate the demolished structures through a series of 3D replicas created by an Australian VFX studio called Rising Sun Pictures.
Peele picked Bertrand Goldberg's 1960s residential towers in a possible homage to the blaxploitation period classic Three the Hard Way (1974). The new film features a biting critique of commercial art galleries’ long-established role in gentrification as well as a few nice wide-angle shots of Willis Tower (formerly Sears Tower) and some of The Loop’s more important architectural landmarks.
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