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It is no exaggeration to say that our present is the future that Dorothea Lange’s images foretold. The crisis of agriculture in the face of toxic capitalism and climatic disaster that is at the center of her famous photographs might also have served to focus and sharpen "Countryside: The Future," where it is occasionally a subject but more often merely an unstated subtext. — Places Journal
In "Countryside: The Future and the Past," Deborah Gans reviews Countryside: The Future, at the Guggenheim Museum, the multimedia culmination of years of interdisciplinary, globe-spanning research led by OMA's Rem Koolhaas and Samir Bantal, director of its think tank, AMO... View full entry
The ---- Johnson Study Group, an online organization "studying the legacy of a 20th century white supremacist [Philip Johnson] who founded the most significant modern architectural institutions in the United States" has released the following letter calling for all institutions to remove the name... View full entry
The ongoing rennovation and expansion of the Museum of Modern Art will culminate in its opening on Monday October 21, 2019. Installation View of the Marie Josée and Henry Kravis Studio, The Museum of Modern Art. Photo by Iwan Baan, Courtesy of MoMA The expansion was designed by Diller... View full entry
A new $450 million renovation of the Museum of Modern Art (MoMA) complex in New York City by Diller Scofidio + Renfro and Gensler is getting ready to make its official debut. As part of the expansion, the museum has also re-opened its dedicated Architecture and Design galleries, which... View full entry
The Museum of Modern Art (MoMA) in New York has received a trove of 45 works of African contemporary art from the photographer and collector Jean Pigozzi. — Artsy
The Italian photographer, Jean Pigozzi has what many regard as the largest collection of contemporary African art. He has now donated a total of 45 works to the Museum of Contemporary Art in New York which include sculptures by the acclaimed sculptor and artist Bodys Isek Kingelez. View full entry
Argentina’s Telam state news agency reported his passing on Friday, as did the governor of Tucuman province, where Pelli grew up and spent his formative years.
“With much regret we receive the sad news of the death of the great Architect César Pelli,” the region’s governor, Juan Manzur, said in a post on Twitter. “I want to convey my condolences to his whole family, his friends and his team.”
— Reuters
César Pelli, a prolific and relentlessly inventive architect who has shaped the skylines of major cities from Los Angeles to San Francisco, New York City, and Kuala Lumpur, has passed away at age 92. News of Pelli’s death came from Argentina’s state news service Friday afternoon... View full entry
After winning MoMA PS1's 2019 Young Architects Program this past March, “Hórama Rama” is now open to the public in time for summer festivities. Ana Paula Ruiz Galindo and Mecky Reuss of Mexico City-based studio Pedro & Juana designed the temporary installation as... View full entry
Assuming her new role as Director of MoMA PS1 in September, Fowle will use her previous experience as Chief Curator at Garage Museum of Contemporary Art in Moscow and director of the Independent Curators International (ICI) to lead the institution. Her global curatorial expertise and... View full entry
What I’ll miss during the Museum of Modern Art’s four-month public shutdown is something I’ve already been missing for five years and will probably continue to miss when the expanded museum reopens in October. I’m talking about the presence on West 53rd Street of the American Folk Art Museum, which was physically demolished in 2014, and whose site the expanded MoMA absorbs, but whose spirit lives on as a restless ghost in the corporate machine that MoMA is. — The New York Times
Holland Cotter, NYT co-chief art critic, on the state of art apart from the usual household names at MoMA since the TWBTA-designed American Folk Art Museum building next door was demolished in 2014, as well as looking ahead to the reopening of the expanded MoMA this fall. "I would suggest that we... View full entry
The North American layman tends to consider the Eastern bloc as a homogenous chunk of misery. It falls to the curators then to differentiate the USSR from Yugoslavia, and they are not off to a good start. Simultaneously, they are obliged to titillate concrete-loving Instagrammers with images of Brutalist hulks. Only once these two aims are achieved can they pose the salient question: does Yugoslav architecture merit more study than a social media scroll? — The Guardian
In his piece for The Observer, George Grylls reviews MoMA's highly publicized exhibition, Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, which recently came to a close in New York. Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and... View full entry
As the Museum of Modern Art begins the final stage of its $400 million overhaul, it will close for four months to reconfigure its galleries, rehang the entire collection and rethink the way that the story of modern and contemporary art is presented to the public.
The Picassos and van Goghs will still be there, but the 40,000 square feet of additional space will allow MoMA to focus new attention on works by women, Latinos, Asians, African-Americans and other overlooked artists...
— NY Times
Over the span of its 89 year history, The Museum of Modern Art has been the subject of both praise and disappointment among cultural elites. In particular, its Diller Scofidio + Renfro-designed plan to expand into the adjacent American Folk Art Museum, by Tod Williams Billie Tsien Architects... View full entry
The Museum of Modern Art has received a major donation courtesy of Herzog & de Meuron, whom have gifted the New York institution with materials relating to nine of their most influential built and unbuilt works. The contribution—which holds sketches, models, and architectural fragments as... View full entry
In the construction of the new Yugoslavia, modernist thinking and design were deployed to guide the country’s rapid urbanization and industrialization as well as to unify the ethnically, religiously, and culturally diverse population. — Places Journal
In columnist Belmont Freeman's latest article for Places, he examines the exhibition “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York, and finds a rigorous and revealing survey of Yugoslavia’s extraordinary built... View full entry
In its first-ever solo show of a Black African artist, New York's Museum of Modern Art will put the work of visionary Congolese artist Bodys Isek Kingelez on full display. On view from May 26, 2018 through January 1, 2019, City Dreams will span the sculptor's three-decade career from his early... View full entry
NEW YORK’S MUSEUM of Modern Art is under siege. Well, a virtual siege, at least. A group of renegade artists has co-opted the brightly-lit Jackson Pollock gallery on the museum’s fifth floor, turning it into their personal augmented reality playground. [...] those that have downloaded the MoMAR Gallery app on their smartphones, the impressionist's iconic paintings are merely markers—points of reference telling the app where to display the guerilla artists’ works. — Wired
MoMAR's augmented reality app and the unauthorized accompanying group show Hello, we're from the internet explore the intersection of private physical space and the public digital realm. "MoMAR is an unauthorized gallery concept aimed at democratizing physical exhibition spaces, museums, and the... View full entry
