In the construction of the new Yugoslavia, modernist thinking and design were deployed to guide the country’s rapid urbanization and industrialization as well as to unify the ethnically, religiously, and culturally diverse population. — Places Journal
In columnist Belmont Freeman's latest article for Places, he examines the exhibition “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York, and finds a rigorous and revealing survey of Yugoslavia’s extraordinary built legacy that until now has been neglected by mainstream architectural historians.
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