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AMO, the research, branding, and publication studio of the Office for Metropolitan Architecture (OMA), has taken over the fences of the United Nations headquarters in New York for a public exhibition that serves as a continuation of Countryside, The Future. Curated by architect and OMA... View full entry
It is no exaggeration to say that our present is the future that Dorothea Lange’s images foretold. The crisis of agriculture in the face of toxic capitalism and climatic disaster that is at the center of her famous photographs might also have served to focus and sharpen "Countryside: The Future," where it is occasionally a subject but more often merely an unstated subtext. — Places Journal
In "Countryside: The Future and the Past," Deborah Gans reviews Countryside: The Future, at the Guggenheim Museum, the multimedia culmination of years of interdisciplinary, globe-spanning research led by OMA's Rem Koolhaas and Samir Bantal, director of its think tank, AMO... View full entry
Certainly New Yorkers’ revaluation of the countryside had begun long before the “Decameron”-style outflows of remote-working urbanites and their families, fleeing the coronavirus last spring. [...] The phrase “farm to table” has been a cliché for years, and Park Slope idealists long ago exported their Marie Antoinette rural fantasies to the Hudson Valley. — The New York Times
With the coronavirus eating its way through America's hinterlands and the election unmasking a deeply entrenched urban-rural ideological divide, NYT art critic Jason Farago takes a second look at the Rem Koolhaas-starring exhibition Countryside, the Future which opened at the Solomon R. Guggenheim... View full entry
The architecture world has been abuzz lately over the recent public opening of Countryside, The Future, the new exhibition taking place at the Solomon R. Guggenheim Museum in New York City by the Office of Metropolitan Architecture (OMA). Let's take a look at some of the... View full entry
Welcome to “Countryside, the Future”: This is what you might get if you asked a celebrated European philosopher-architect to reinvent the Iowa State Fair. No mess, no smells, just acres of color printouts, cryptic homilies about nature, and a couple of pesticide-spraying drones. Did you know that agriculture is increasingly computerized? — New York Magazine
New York Magazine's architecture critic, Justin Davidson, takes a no-holds-barred look at the Countryside, The Future exhibition at the Solomon R. Guggenheim Museum in New York City. The exhibition, developed by a research and exhibition team led by OMA/AMO and Rem... View full entry
The Office of Metropolitan Architecture's (OMA) much-anticipated exhibition, Countryside, The Future, is set to open next week at the Solomon R. Guggenheim Museum in New York City. The exhibition, according to the museum website, explores "radical changes in the rural, remote, and wild... View full entry
What would "Lost in Translation" be without Tokyo, or "In Bruges" without, well, Bruges? This engrossing Taste of Cinema piece selects 20 films released from the 1930s up to the cinematic present in which the city and its surrounds play a vital role in the narrative. The piece then delves into... View full entry
“If you go into the hardcore urban or the hardcore rural, it is quite simple to define it, but that is not so relevant. It is more significant to talk about the condition in between. And this condition is extremely difficult to define.” – Urban planner Kees Christiaanse in conversation with Bernd Upmeyer and Beatriz Ramo on behalf of MONU Magazine — Free Association Design
MONU’s call for submissions for its latest issue (#16, Non Urbanism) asked its participants to “investigate how non-urbanism may be defined and identified today, and how non-urban areas interact with and relate to urban areas.“ Fortunately for readers, the printed... View full entry
