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The Museum of Modern Art has received a major donation courtesy of Herzog & de Meuron, whom have gifted the New York institution with materials relating to nine of their most influential built and unbuilt works. The contribution—which holds sketches, models, and architectural fragments as... View full entry
Cities are always day-to-day. There are cultural buildings, there are important business campuses, and in between there is the normal city. And there are, of course, better and worse quarters. Unfortunately, I have to say that the older quarters are normally the most beautiful. Quarters that have developed over time have more charm and class...It is important that beacons are continually established in this mush, in these newly developed areas — Der Spiegel
Ulrike Knöfel interviewed architect Jacques Herzog regarding the soon to open Elbphilharmonie. They also discuss the state of contemporary architecture, it's role in rapid gentrification and how to best ensure a building is loved/preserved for generations. View full entry
The name of Herzog and de Meuron's proposed new development for downtown Los Angeles' arts district, 6 AM, seems like an hour/mindset that most of its current residents experience only because they stayed up much too late. But no one can stop the dawn of high-concept gentrification from breaking... View full entry
Set to open on 17 June, the Tate Modern Switch House – named after the part of the power station that the new galleries occupy – expands the museum by 60% to accommodate the surging numbers of visitors, which reached 5.7 million last year, well over double the number the building was designed to cope with when it opened in 2000. But the arresting brick ziggurat is also a physical symbol of the effect the Tate has had on its surroundings. — theguardian.com
Read more relating article here:Future sustainable skyscrapers will be made of...wood?Fabricated robot installation at the V&A unveiled as part of their first Engineering SeasonHerzog and de Meuron in conversation with Rowan Moore View full entry