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The Office for Metropolitan Architecture...has been chosen to design the Albright-Knox Art Gallery’s first major expansion in more than 50 years...The comparatively delicate and more budget-conscious Albright-Knox expansion project, which is expected to cost about $60 million, will unfold on a small but famous plot of public parkland and will be attempt to fuse the architectural styles of three centuries. — The Buffalo News
More on Archinect:Albright-Knox Gallery announces short list of firms for $80m expansion: Snøhetta, BIG, OMA, wHY, Allied WorksShohei Shigematsu of OMA transforms the Met for the spring Costume Institute exhibitA tour of OMA's Pierre Lassonde Pavilion View full entry
OMA’s design for the National Art Museum of China in 2011 was planned as a city, revolutionizing the way in which museum’s work today.
Like any city, circulation can be efficient and direct – for larger groups – or meandering and individual. The story of Chinese art can be told, or discovered. The main circulation of the city is based on a five-pointed star that leads from the multiple entry points on the periphery to the centre.- OMA on Instagram
— instagram
I had to think twice or more, but I think my title for this plan works. View full entry
Described in a press release as a "spacious and distinctively contemporary gateway to the institution's existing complex of buildings," the new Pierre Lassonde Pavilion of the Musee National des Beaux Arts du Quebec by OMA appears to have an exceedingly functional quality. Admittedly, the building... View full entry
NOT MANY ARCHITECTS get to reshape a wing of the Metropolitan Museum of Art. But Shohei Shigematsu, who runs the New York branch of Rem Koolhaas’s Rotterdam-based firm, OMA, has done precisely that. This month he converts a skylit, double-height section of the museum—the 1970s Robert Lehman Wing—into a graceful, cathedral-like setting for Manus x Machina, the Costume Institute’s spring show, opening May 5. — the Wall Street Journal
The exhibit, curated by Andrew Bolton, considers "the founding of the haute couture in the 19th century, when the sewing machine was invented, and the emergence of a distinction between the hand (manus) and the machine (machina) at the onset of industrialization and mass production."Accordingly... View full entry
Dubai's desire to become a (tasteful) global cultural center is gaining further traction with an OMA-designed events and project space for local art-scene hub Alserkal Avenue. The 1,000 square meter gallery features four movable walls which can either rotate or slide within a flexible floor plan... View full entry
The Albright-Knox Art Gallery wants to create a public space that could rival Canalside while expanding and remaking one of the city’s most recognizable institutions.
And gallery officials are looking to some of the most respected architects in the world to make it happen.
They have narrowed the list of potential architects for the gallery’s upcoming expansion project to five firms with experience building in challenging urban environments.
— the Buffalo News
Located in the historic, Frederick Law Olmsted-designed Delaware Park, the Albright-Knox Art Gallery is one of the major cultural hotspots of New York State's second largest city. Now, the contemporary and modern art gallery plans a major expansion of its facilities, which originally opened in... View full entry
...eye-catching edifices began as China’s way of announcing its arrival as a powerful player on the world stage. Now, however, the Chinese government has changed course: It has officially declared this to be “weird” architecture that must be stopped. Chinese leaders have turned their backs on these structures, a shift that underscores China’s new conception of itself and its ambitions for the future [...] — the New Republic
"But the government’s mandate explicitly addresses both the function and form of new buildings, and the planning imperative seems designed to go beyond improving the quality of life. The end of “weird” architecture ties in to the government’s recent efforts to champion frugality... View full entry
LA has few corners as prominent as First and Broadway. Directly adjacent to the art deco City Hall and across from the LA Times building, the nearly-2 acre lot stands at the center of an increasingly well-trafficked pedestrian area. Now, some of the biggest names in town are competing to transform... View full entry
If you're planning to head to this year's AIA National Conference in Philadelphia, you're in for what should be a great talk: Rem Koolhaas, renowned founder and principal of the Office for Metropolitan Architecture (OMA), has just been announced as the keynote speaker for the third day of the... View full entry
For the 2016 Spring/Summer Prada Real Fantasies, AMO graphically reinterprets the Indefinite Hangar as a synthetic sunset fixed within a 3 dimensional blank space. The abstract hangar is populated with geometric objects and furniture. Characters move through a neutral scene between the undefined and distilled fragments of daily life. The horizon and scale constantly shifts, manipulating the frame and disrupting a linear sequence: an artificial landscape where fiction and collection collide. — OMA
OMA and its think tank counterpart, AMO, have deep ties to the fashion world, in particular with Prada. Alongside built work by the architectural powerhouse, notably the recently-completed Fondazione Prada, OMA/AMO has designed runways, look books, and videos for the Milanese luxury brand.Since... View full entry
Rem Koolhaas/OMA will design The Factory, the proposed £110 million (approx. US$166.3 million) Manchester Arts Centre in England. Koolhaas won the commission ... over fellow starchitects including Zaha Hadid, Mecanoo, Grimshaw Architects, Rafael Viñoly, DS+R, and Haworth Tompkins. [...]
Named after the Manchester-based record label, The Factory is described as a cutting-edge, flexible cultural institution that ... will also be a major component in the cultural redevelopment of the city.
— bustler.net
As the evening progresses, the event turns into a painful X-ray of the current state of American academia: a strangely insular world with its own autonomous codes, dominated by some antiquated pecking order with an estranged value system and no hope of a correction from within. The often grandiose character of the debate stands in stark contrast to the marginal nature of that which is being debated. — Reinier de Graaf
Reinier de Graaf, partner at OMA, delivers a scathing takedown of the current state of architecture academia as represented by the participants of the ArchAgenda Debates, a panel in which he was also a participant. Alongside Jeff Kipnis, Patrik Schumacher, Peter Eisenman, and Theodore... View full entry
AMO – the think tank counterpart to OMA – extensively works with fashion labels. They've designed stores and runways for brands like Prada and Miu Miu for years, crafting (often) conceptually-charged, and (always) visually-punchy environments to consume the latest and greatest sartorial... View full entry
The Spanish-publisher Arquitectura Viva just published a new monograph on Rem Koolhaas, their first-ever on the Dutch architect. Focusing on work since he won the Pritzker in 2000, the monograph includes an essay and twelve critical texts by Luis Fernández-Galiano alongside images of some of... View full entry
It's something like cultural alchemy: the sale of a single painting is set to pay for half of a new OMA-designed annex space for the Wilshire Boulevard Temple, according to an announcement made today by the congregation. Donated by the philanthropist Audrey Irmas, the painting is a... View full entry
