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I kept running my hands over the tower’s concrete walls. Infused with Carrara marble and poured by construction workers who wore white gloves, they feel smooth as silk. The big rectangular and wedge-shaped galleries, windows alternating between panoramas of the city and narrow views over the campus, accommodate best the large-scale works in the inaugural show — NYT
Earlier this year, Michael Kimmelman traveled to Milan, for the completion of 'Torre', cornerstone of Fondazione Prada's new campus, by OMA. Back in April, davvid shared his own review "It's very nice. The whole...complex is beautiful." View full entry
Today OMA announced the completion of Torre, the third new structure the firm has completed in the Fondazione Prada arts compound, a former gin distillery in Milan. Standing at 60 meters tall, the white concrete Torre is a vertical art gallery that “is devoted to the development of a new... View full entry
For the 2016 Spring/Summer Prada Real Fantasies, AMO graphically reinterprets the Indefinite Hangar as a synthetic sunset fixed within a 3 dimensional blank space. The abstract hangar is populated with geometric objects and furniture. Characters move through a neutral scene between the undefined and distilled fragments of daily life. The horizon and scale constantly shifts, manipulating the frame and disrupting a linear sequence: an artificial landscape where fiction and collection collide. — OMA
OMA and its think tank counterpart, AMO, have deep ties to the fashion world, in particular with Prada. Alongside built work by the architectural powerhouse, notably the recently-completed Fondazione Prada, OMA/AMO has designed runways, look books, and videos for the Milanese luxury brand.Since... View full entry
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
