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Last night, a star-studded crowd trickled into the Metropolitan Museum of Art for its annual gala beneath a gargantuan chandelier made of what appeared to be plastic water bottles. After the event took place, several members of the art community noticed what appeared to be suspicious similarities between the chandelier and the plastic works of American artist Willie Cole. — ARTnews
Cole’s work is included in the museum’s permanent collection, and the large-scale chandeliers in question were profiled just two months ago by the New York Times. The large-scale pieces were made of nearly 6,000 individual water bottles and were created to instigate a conversation about... View full entry
The three-decade professional relationship between Karl Lagerfeld and Pritzker winner Tadao Ando will be continued in a new exhibition designed by the architect for the Costume Institute of the Metropolitan Museum of Art in New York City. Opening to coincide with the Lagerfeld-themed Met Gala... View full entry
NOT MANY ARCHITECTS get to reshape a wing of the Metropolitan Museum of Art. But Shohei Shigematsu, who runs the New York branch of Rem Koolhaas’s Rotterdam-based firm, OMA, has done precisely that. This month he converts a skylit, double-height section of the museum—the 1970s Robert Lehman Wing—into a graceful, cathedral-like setting for Manus x Machina, the Costume Institute’s spring show, opening May 5. — the Wall Street Journal
The exhibit, curated by Andrew Bolton, considers "the founding of the haute couture in the 19th century, when the sewing machine was invented, and the emergence of a distinction between the hand (manus) and the machine (machina) at the onset of industrialization and mass production."Accordingly... View full entry
