From 1917 to 1991 in the former Russian Empire, and from 1945 to 1989 in the countries it dominated after the war, there was no real private ownership. No landowners, no developers, no “placemakers” - in half of Europe. Did this mean public space was done differently, and are attitudes to it different in those countries? [...] observed more closely, public space here is every bit as complex as it is elsewhere in Europe. — theguardian.com
Related stories in the Archinect news:Owen Hatherley on a Stalinist city's efforts to "de-communize"The New East is where western starchitect dreams come true (or turn into nightmares)Michael Kimmelman on Public Squares View full entry
School of Architecture Dean Norman Millar, who previously taught at SCI-Arc, UCLA, Pasadena Art Center and was active on both the San Diego and Los Angeles campuses of Woodbury, succumbed to pancreatic cancer on April 14. He was 62 years old. Named "Educator of the Year" in 2014 by the AIA|LA... View full entry
Contrary to many, maybe including himself, I do not consider Bjarke Ingels the reincarnation of this or that architect from the past. On the contrary, he is the embodiment of a fully fledged new typology, which responds perfectly to the current zeitgeist. Bjarke is the first major architect who disconnected the profession completely from angst. He threw out the ballast and soared. — TIME
"With that, he is completely in tune with the thinkers of Silicon Valley, who want to make the world a better place without the existential hand-wringing that previous generations felt was crucial to earn utopianist credibility," writes Rem Koolhaas for TIME's 2016 list of the "100 Most... View full entry
We tend to perceive our identities as stable and largely separate from outside forces. But over decades of research and therapeutic practice, I have become convinced that economic change is having a profound effect not only on our values but also on our personalities. Thirty years of neoliberalism, free-market forces and privatisation have taken their toll, as relentless pressure to achieve has become normative. — Paul Verhaeghe | the Guardian
"If you’re reading this sceptically, I put this simple statement to you: meritocratic neoliberalism favours certain personality traits and penalises others."In this op-ed, Paul Verhaeghe asserts that neoliberalism has weakened social ties and pitted workers against one another in a... View full entry
A key part of the V&A’s expanding family of sites dedicated to the past, present and future of the designed world, V&A East is a brand new civic space and cultural destination that will form part of the Olympic legacy project taking shape at Stratford Waterfront.The seven-storey building... View full entry
... instead of its standard Kohler toilet, it will have a solid 18-karat-gold working replica of one, a preposterously scatological apotheosis of wealth whose form is completed in its function: You could go into the restroom just to bask in its glow, Mr. Cattelan said, but it becomes an artwork only with someone sitting on it or standing over it, answering nature’s call. — nytimes.com
Maurizio Cattelan, an Italian artist who famously retired five years ago, has returned with a solid gold (and fully functioning) toilet for the Guggenheim Museum. Perfectly paired with the late Tobias Wong's Gold Pills. View full entry
Turku University of Applied Sciences has received a grant of 70,417 euros to see if hemp could be used more in construction projects.
The research will involve investigating the soundproofing and fireproof properties of the substance.
Researchers will also look at how hemp decomposes and to see how it could be used as fertilizer - in order to determine how eco-friendly hemp's waste materials are.
— YLE News
The article is careful to note that hemp has far less THC than marijuana and is therefore not a psychoactive substance (obviously) – but the news still feels topical. Hemp has been used for centuries for ropes, oils and textiles. But marijuana criminalization efforts in the 20th centuries... View full entry
Described in a press release as a "spacious and distinctively contemporary gateway to the institution's existing complex of buildings," the new Pierre Lassonde Pavilion of the Musee National des Beaux Arts du Quebec by OMA appears to have an exceedingly functional quality. Admittedly, the building... View full entry
The way a building is envisioned to interact with people versus the way it actually does can be dramatically different, which is why the 16 films of Ila Bêka and Louise Lemoine are both aesthetically stunning and humanistically delightful. MoMA has acquired the pair's entire collection of work... View full entry
Working for free has been a reality for architects for decades. The hallmark of the practice is the open competition—a scourge on the financial and cultural health of the profession. But the argument against them has always seemed moot: as long as clients keep launching them, architects will keep entering them. Choosing not to participate, for some, seemed like a pointless act of professional self-sabotage. — FastCo.Design
"But in New York...a group of AIA chapters have shown that architects do have the power to push back against the wasteful and inefficient culture of open competitions."We've seen a lot of conversations about the culture surrounding competitions in 2016. Just a few weeks ago, a... View full entry
A monumental recreation of the destroyed Arch of Triumph in Palmyra, Syria, has been unveiled in London’s Trafalgar Square.
The 1,800-year-old arch was destroyed by Islamic State militants last October and the 6-metre (20ft) model, made in Italy from Egyptian marble, is intended as an act of defiance: to show that restoration of the ancient site is possible if the will is there.
— theguardian.com
For more on the relating topics in this article check out these links:Palmyra after ISIS: a first look at the level of destructionBefore + after photos of Syria's devastated heritageAnother Grade II listed building loses its protected status in north east EnglandLondon's V&A to host a robot... View full entry
A realtor who invited clients to tour the neighbourhood for bargain properties and enjoy “artisanal treats” felt the backlash within hours.
“I can’t help but hope that your 60-minute bike ride is a total disaster and that everyone who eats your artisanal treats pukes immediately,” said one message. “Stay outta my fucking hood,” said another.
Fearing violence, the realtor cancelled the event.
[...]
Welcome to Boyle Heights – or not, depending on how locals view you.
— the Guardian
For more from the front lines of urban gentrification, check out past Archinect articles:In tempestuous London, design leads the evolution: Archinect's report from the front lines of the London Design FestivalInvasion: A First-Hand View of Gentrification in San FranciscoLuxury UK student... View full entry
What happens in domestic interiors appears to be very relevant for our societies.
Bernd Upmeyer, Editor-in-Chief, April 2016
— http://www.monu-magazine.com/news.htm
What happens in domestic interiors appears to be very relevant for our societies. At least, that is what Andrés Jaque argues in our interview entitled "The Home as Political Arena" for this new issue of MONU. This issue, "Domestic Urbanism", deals with the domestic aspects of cities, and... View full entry
For the past few years, the roof garden of the Metropolitan Museum of Art has supported major, site-specific art installations. The sweeping rooftop perched above Manhattan's 5th Avenue has previously seen works by Pierre Huyghe, Dan Graham, and Tomas Saraceno, among other. This summer, a... View full entry
Johnson returned home certain his life had been transformed. He found in Nazism a new international ideal. The aesthetic power and exaltation he experienced in viewing modernist architecture found its complete national expression in the Hitler-centered Fascist movement. Here was a way not merely to rebuild cities with a unified and monumental aesthetic vision for the Machine Age but to spur a rebirth of mankind itself. He had never expressed any interest in politics before. That had now changed. — Vanity Fair
"Over the next two years, Johnson moved back and forth between Europe and New York City. At home, he mounted shows and promoted modernist artists whose works he considered the best of the new. All the while, he kept an eye on the Nazis as they consolidated power. He had slept with his share of men... View full entry
