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"Beyond its strictly Parisian statement, it touches the most general human image-repertoire: its simple, primary shape confers upon it the vocation of an infinite cipher ... [Gustave] Eiffel saw his Tower in the form of a serious object, rational, useful; men return it to him in the form of a... View full entry
Officially called the “House-Monument of the Bulgarian Communist Party”, the building fell into disrepair following the collapse of the country's socialist government in 1989, but remains a popular landmark and tourist attraction. The trip comes before an expected visit by European and Bulgarian experts at the end of 2018, who will report on the building’s structural integrity with the view of opening it officially to tourists. — The Calvert Journal
For the 2018 Venice Biennale, Estonia's pavilion, “Weak Monument”, explores the explicit representation of the monument and the implicit politics of everyday architectural forms. Curated by Laura Linsi, Roland Reemaa and Tadeáš Říha, the exhibition takes over the former Santa Maria... View full entry
Designed by Snøhetta in collaboration with Local Studio and Design Indaba, the Arch for Arch stands as a monument to the human rights activist and Nobel Peace Prize Laureate Archbishop Desmond Tutu, affectionally known as “Arch” by fellow South Africans. Desmond Tutu Memorial Arch by... View full entry
A new set of photographs of the recently opened Canadian National Holocaust Monument have been released and help give a better understanding of the Daniel Libeskind-designed space: how it sits in its surrounding landscape created by Claude Cormier, and what atmosphere the large-scale... View full entry
Once the renovation is complete, the four-storey building will be used as a venue for art exhibitions, installations and seminars that will be open to the public, as well as a philanthropic institution to help vulnerable people including refugees...any old material removed from the building will have to be taken away in barges along Venice’s canals, while new material will have to be brought in the same way. — The Telegraph
David Chipperfield will lead the painstaking renovation of the monumental Procuratie Vecchie in Venice's St. Mark's Square. When the project is complete in 2020, the building will be accessible to the public for the first time in some 500 years. View full entry
Last week we mentioned the Canadian National Holocaust Monument celebrating its grand opening in Ottawa. The stock of available imagery has been very limited for the last years and consisted of mostly the same aerial rendering in a few variations. Now we've received new photographs that give a... View full entry
Canada today (27 September) inaugurated its first national Holocaust Monument, in Ottawa, an endeavour ten years in the making. [...] The monument’s design and construction was a collaboration between the New York-based architect Daniel Libeskind, the Montreal-based landscape architect Claude Cormier, the Canadian photographer Edward Burtynsky and the University of Toronto professor Doris Bergman, an expert on the Holocaust. — The Art Newspaper
"From above, the monument is the shape of a skewed Star of David," The Art Newspaper writes, "which [...] recognises the Jewish victims of the Holocaust, but also other groups who were persecuted, such as homosexuals and Jehovah’s Witnesses." View full entry
After the attack at the Pulse nightclub in Orlando, Fla., that left 49 people dead, Governor Cuomo formed the LGBT Memorial Commission to honor the fight for equal rights and remember victims of hate, intolerance and violence. A request for designs for the new memorial went out in October. It is to be built in Hudson River Park near the waterfront piers that have played a key role in the city’s history as both a meeting place and a haven for lesbian, gay, bisexual and transgender people — NY Times
Designed by a Brooklyn-based mixed-media artist, Anthony Goicolea, the LGBTQ monument consists of nine boulders, some bisected with glass that acts as a prism and can emit a subtle rainbow. Meant to be communicative, usable and complimentary to the landscape, the design was inspired by sites... View full entry
A monumental recreation of the destroyed Arch of Triumph in Palmyra, Syria, has been unveiled in London’s Trafalgar Square.
The 1,800-year-old arch was destroyed by Islamic State militants last October and the 6-metre (20ft) model, made in Italy from Egyptian marble, is intended as an act of defiance: to show that restoration of the ancient site is possible if the will is there.
— theguardian.com
For more on the relating topics in this article check out these links:Palmyra after ISIS: a first look at the level of destructionBefore + after photos of Syria's devastated heritageAnother Grade II listed building loses its protected status in north east EnglandLondon's V&A to host a robot... View full entry
Bank buildings have become bars. Football grounds have been turned into prestige housing. All things must pass. Buildings that have outlived their purpose have no right to be preserved perpetually in a Prince Charles-style attempt to stop the clock on history. Sentimentality about an imagined past is a British disease. For all that, the emotional link between a building like the Washington Post’s and the people who once worked there will live on, for years to come. — theguardian.com
More pieces on the cultural history of demolished or renovated structures:Saving Buildings with Social Media (Or Not)The Folly of Saving What You Kill"Historic Status" won't protect against demolitionInteractive Decay View full entry
archaeologists have found several recesses in rock formations in Wales that match the size and shape of Stonehenge's bluestones, leading to theories that the monument may have been erected in Wales first, before being moved to its present site in Salisbury Plain.
The researchers also discovered evidence of what they described as “a loading bay" from where the massive boulders could have been dragged away.
— artnet.com
Wales is over 130 miles / 209 kilometers from Stonehenge's current site in Salisbury Plain – a distance that would have taken Neolithic people over 500 years to transport the monoliths over, according to Professor Mike Parker Pearson, a British late prehistory professor at UCL who led the... View full entry
[Sara Zewde] argues that while the traditional monument commemorates a singular event or individual by placing an object in a space that is a break from its surroundings, the 400-year practice of African enslavement demands a different approach.
“For Afro-descended people, you wake up every day with the legacy of slavery,” she says. “How do you deal with that spatially?”
One approach is to translate cultural practices into spatial ones.
— Next City
Using new international measurement standards and technology not available in the past, NOAA’s National Geodetic Survey has calculated the official architectural height of the Washington Monument to be 554 feet 7 11/32 inches [...].
Although the newly established architectural height differs from the historical height of 555 feet 5⅛ inches, neither the starting point nor the so-called “standard deviation” used for the original 1884 measurement is known [...].
— noaa.gov
Team Lord of Toronto was announced today as the winner to design the new Canadian National Holocaust Monument in Ottawa, Canada's capital.
The team's proposal, titled "Landscape of Loss, Memory and Survival", was selected out of six finalists who were invited to present their concepts to a jury of professionals and then to the public during the national design competition.
— bustler.net
Led by co-president of Lord Cultural Resources Gail Dexter-Lord, the Toronto-based team also includes Daniel Libeskind (architect), Edward Burtynsky (artist–photographer), Claude Cormier (landscape architect), and Doris Bergen (subject-matter advisor).More info about the project on Bustler. View full entry
