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A large-scale wire-mesh sculpture, suspended from the ceiling of Cathédrale restaurant in New York City, is the first commissioned artwork by Tresoldi Studio, the new design outlet founded by Italian artist Edoardo Tresoldi. Dubbed Fillmore, the installation takes inspiration from the historic... View full entry
Following successful iterations by Snarkitecture, Studio Gang, James Corner Field Operations, and BIG, the National Building Museum's Summer Block Party is back this year with an immersive installation designed by the LAB at Rockwell Group. For this year's party, the experimental design studio... View full entry
A new cultural institution in New York City opens on Friday after more than a decade in the making. The Shed, which straddles the recently opened Hudson Yards neighborhood and the High Line on 30th Street, will commission and present original artwork across a variety of disciplines.View from... View full entry
For its 2019 Summer Block Party exhibition, the National Building Museum has reenlisted Rockwell Group's experience design studio the LAB to transform the museum's atrium. The New York-based architecture firm also designed the museum's 2012 exhibit Play Work Build, one of NBM's most... View full entry
Designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, The Shed will open to the public in spring of 2019 with commissioned programs filling its expansive multi-use hall, galleries, and theater situated along NYC's High Line. The Shed rendering, by Diller Scofidio + Renfro... View full entry
Fifteen Hudson Yards, designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, has now topped out and stands over 900 feet tall. This is the first tower within the 28-acre NYC site with for-sale residencies. Sales for the 285 condominiums have now surpassed 50%, with the... View full entry
In its scale, this faintly quaint, eloquently designed contraption aspires to conjure up the spirit of those 19th-century exemplars of elegant engineering like the Brooklyn Bridge or the Eiffel Tower: industrial-era monuments of structural form, both necessary and sufficient, ingenious but not space age, encapsulating the aspirations of a city. — NY Times
While the Shed, an art and performance space designed by Diller Scofidio + Renfro in collaboration with Rockwell Group will be in construction for at least another year, the structure is already capable of conducting its five minute moving act along the High Line. Weighing in at 8 million... View full entry
[W]hile only the skeleton of the six-level structure [...] has been completed so far, there are already some elements that set The Shed apart. The most obvious of these is a telescoping shell on wheels that serves as both a façade for the gallery spaces and a flexible canopy that can be extended to enclose a public plaza [...]“This project is bone and muscle and there's no fat,” said the architect Elizabeth Diller — The Art Newspaper
A look at the latest construction developments of the Hudson Yards' “The Shed” arts and culture center, which began late last year and is due for a 2019 opening. View full entry
[Dubbed “The Shed”,] The 18,500 square metre venue has six storeys and can “accommodate the broadest range of performance, visual art, music, and multi-disciplinary work”. A cultural centre will be encased in a 34m-high outer shell that can slide on rails to double the ground space. The building includes two large-scale column-free galleries comprising 2,320 square metres of museum-quality space, a 500-seat theater and event and rehearsal spaces. [Completion is due] in 2019. — globalconstructionreview.com
For more about New York's Hudson Yards: BIG-designed "The Spiral" Hudson Yards tower is inching closer to becoming reality Renderings of Thomas Heatherwick's "Vessel" for New York's Hudson Yard revealed Welcome to the Hudson Yards, c. 2019: the world's most ambitious "smart city" experiment View full entry
David Rockwell has got the art of theatrics down pat. His world is a stage complete with cuts, scene changes, sequences and transitions, where he is the director presiding over the action between performer, audience and space. [...] “The emphasis on arrival, procession, lighting and the all-encompassing power of a live theatrical experience have really impacted how I think about my designs.” He counts on his audiences buying in emotionally to his designs [...]. — forbes.com
