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A spec office is not how a superstar usually makes a debut. [...]
Ingels hasn't reinvented the form with 1200 Intrepid, but he does manage to inject it with an impressive level of pizzazz, imagination, and even refinement. [...]
The optical effects are mesmerizing. If you stand at the corner and look across the breadth of the facade, the front wall appears to be tumbling to the ground like a collapsing row of dominos. The curves are reminiscent of a Richard Serra sculpture.
— philly.com
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