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Studio Gang's 2017 Summer Block Party installation called the “Hive," opened to the public in the beginning of July. Since then, many have flocked to the National Building Museum in Washington D.C to experience the structure made of 2,700 wounded paper tubes. For those not near the D.C... View full entry
Every summer, the National Building Museum in Washington D.C. puts on an imaginative Summer Block Party series of temporary structures. Past installations that have graced its historic Great Hall have included James Corner's "ICEBERGS," Snarkitecture's "BEACH," and BIG's "Maze." This year, the... View full entry
It took six years, but every subway station in the Washington, D.C. area is now immortalized in song. For musician Jason Mendelson, it’s his magnum opus. — Washington Post
The Magentic Fields wrote 69 songs about love; professional tax manager and sometime musician Jason Mendelson has managed to record 91 songs about the Washington, D.C. Metro system, with one song for each subway stop. Map of the Washington, D.C. Metro.While music critics will not be equating... View full entry
Harmonizing with architect John Russell Pope's neoclassical West Building, the award-winning East Building, which opened in 1978, was designed by Pei in the modern idiom of its time. Magnificently realizing the long-term vision of Gallery founder Andrew W. Mellon and his children, Paul Mellon and Ailsa Mellon Bruce, the East Building has taken its place as one of the great public structures in the nation's capital. — National Gallery of Art — Bustler
I.M. Pei's 100th birthday is tomorrow! In celebration of the legendary architect's birthday, the National Gallery of Art in Washington D.C. will host a public talk in the Pei-designed East Building featuring architect Perry Y. Chin – a longtime associate of Pei's — and Susan Wertheim, the... View full entry
The National Building Museum in Washington D.C. revealed the renderings of Studio Gang's upcoming 2017 Summer Block Party installation called the “Hive”, which is the firm's latest collaboration with the Museum.Located in the Great Hall, the Hive will be made entirely of over 2,700 wound... View full entry
Accurately tracking a population that has no permanent home has always been a challenge for those who attempt to put together figures on homelessness. Many studies elect to count transients one night each year in order to create some form of consistency. Using that method, a study by the... View full entry
From the outside, not much has changed. After a three-year, $69m renovation, the East Building of the National Gallery of Art (NGA) in Washington, DC, looks about the same as it did when it first opened in June 1978. [...]
Step inside and the differences become clear. The gallery, which reopens to the public on 30 September, has managed to carve out more than 12,250 sq. ft of additional exhibition space without expanding its physical footprint.
— theartnewspaper.com
↑ I.M. Pei, who designed the East Building, on the structure's original opening day, June 1, 1978. Photo © Dennis Brack/Black Star. National Gallery of Art, Washington, Gallery ArchivesRelated stories in the Archinect news:Louvre director plans its grand revampPei Cobb Freed faces lawsuit... View full entry
Standing assertively in the middle of a 15-acre lawn, between the sharp white obelisk of the Washington Monument and the colossal stone shed of the National Museum of American History, the latest arrival to this hallowed parade ground certainly holds its own. The Smithsonian National Museum of African American History and Culture erupts from the ground, an inverted pagoda of three angular bronzed tiers on an all-glass base, departing from its neighbours’ sombre palette...with joyous glee. — the Guardian
Like the exhibitions inside it, the museum building embodies its complexities and contradictions, charged as it is with a brief and a site as impossibly fraught as the history it is telling. Despite some clunks, the result has a compelling, spiky otherness, standing on the Mall as a welcome rebuke... View full entry
With its colorful facade, arched windows, spires and rotunda, the A&I (as it's often called) is a festive relief...But despite the perky building's popularity, its reopening was hardly grand. Why so little fanfare? Lack of funding seems to be one explanation
...the building's "unfinished character is one of its charms...It hasn't always been as gently used as we would like. But that's an important part of our history — Smithsonian history and American history."
— NPR
More on Archinect:The Seagram Building after the Four Seasons: maintaining a costly landmarkRIP: Bruce Goff's Bavinger House demolishedPreserving Central Asia's ancient architecture through codeThe race to complete the Capitol dome restoration in time for the inauguration of the 45th U.S. President View full entry
The idea behind Turncoats is for people to relax, slough off their more cautious professional selves, and engage in full-throated (yet respectful!), rapid-fire debate on a broad range of topics. Audience members are encouraged to speak up, Powerpoints are strictly forbidden, and alcohol is served liberally. — washingtoncitypaper.com
Started in London in the last couple years, Turncoats has chapters in Scotland, Vancouver, Serbia and now, the U.S. The first D.C. Turncoats event takes place tomorrow, August 24, and is centered around the debate topic of "D.C. Wants Boring Architecture". Find more details here.More on debates... View full entry
Walk into the Great Hall of Washington D.C.'s National Building Museum right now and you'll find a glacial landscape of geometric "icebergs" floating before you. Landscape architect James Corner worked alongside the NBM to design the chilling scene, as part of the museum's 2016 Summer Block Party... View full entry
“It’s about architecture, but also about memory and history,” Adjaye says when we meet at the site on a cloudy afternoon in mid-May. “I got exactly what I wanted on the exterior, which was a dark, brooding, bronzelike building.” Before going inside, he points out what he calls the “oculus,” a circular raised platform at the west entrance through whose glass windows you can see the room below. “We found out that this spot was once a slave market, right on the Mall,” he says. — Vogue
“The oculus is like a slave pedestal, levitated off the ground. I’ve tried to make every decision here have some history.”For more on the British-Ghanaian architect, check out past Archinect coverage:David Adjaye is releasing a vinyl record with his brother"Quintessential... View full entry
Transportation Secretary Anthony Foxx said Tuesday he seriously considered ordering a shutdown of the entire Washington Metro subway system last week and may still do that if local officials don't follow Transportation Department safety directives.
"We have the ability to withhold (federal) funds from Metro. We have the ability to shut Metro down, and we're not afraid to use the authority we have," Foxx said told reporters. "This is serious business."
— AP
"Local officials have yet to identify the root cause of incidents involving electrical arcing, smoke and fire, and so have no plan for how to fix the problem, he said."For more on the dilapidated state of American infrastructure:U.S. Transportation Secretary Foxx on the troubled... View full entry
The train will not come because the track does not exist, says the voice on the loudspeaker. You must believe as hard as you can.
Everyone on the platform ignores him. Your belief is not enough. It has never been enough.
Construction has just begun on the new Fuchsia Line, which Metro management says will solve all the system’s problems, and which is the only thing that anyone has allocated any funding for. It is entirely under water and plated in gold. It will be completed in 18 years.
— The Washington Post
Alexandra Petri of The Washington Post pens a maybe not-so-fictional tale about the “horrors” of the current state of the Washington Metro, which shut down last month.More on Archinect:A day in the life of a (fictional) architecture internFairy Tales 2016 winners highlight real architectural... View full entry
[Project leader Zena] Howard focuses on all of the aspects of the National Museum of African American History and Culture, but hones in on the porch, which happens to span 200 feet and it serves as an transitional space between the outside and inside of the museum.
“I think that the porch is…quintessential America,” [...]
“This project—not only given the scale, the complexity, the political and contextual sensitivities—is an amalgam of all the problems that we, as architects, love to solve”
— blackyouthproject.com
Related on Archinect:What architecture means to Zena Howard, project leader of the National Museum of African American History and CultureDavid Adjaye talks about woven architecture and his new D.C. museumObama to speak at African American history museum’s groundbreakingWatch: First Look at the... View full entry