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The City of Los Angeles Bureau of Engineering has announced a trio of finalist teams competing to redevelop the site of the former Parker Center police headquarters in the city's Civic Center district. Each of the teams, according to Urbanize.la, is each made up of designers, contractors... View full entry
The firm's entry to the San Francisco Department of Public Works' (DPW) design competition calling for "the conceptualization of industrial art that would double as toilets," was selected as the winner. Courtesy of SmithGroup The design, called AmeniTREES, is a multi-functional kit of... View full entry
After a year's delay, construction crews Monday were installing the final glass panels in on the upper floors of the new Little Caesars headquarters on Woodward Avenue near the Fox Theatre.
Originally expected to be opened last summer, the building was delayed over an apparent problem with the unique pizza-slice wedges of glass that form the facade.
— Detroit Free Press
The SmithGroup-designed Little Caesar's headquarters in Detroit is finally continuing its construction progress, nearly a year after hiccups with the tower's pizza-shaped window installation delayed the project's completion. View full entry
The Museum of the Bible recently opened in Washington, D.C. packed with screens and interactive exhibits. The 430,000-square-foot building was designed by SmithGroup JJR and cost a total of $500 million. Formerly a refrigerated warehouse, this space has been turned into quite an extravaganza. The... View full entry
When the Museum of African American History and Culture opens on the National Mall in 2015, it will be "not just a record of tragedy, but a celebration of life," as President Obama said during the ground breaking ceremony on the site today. — whitehouse.gov
Related: Freelon Adjaye Bond/SmithGroup to Design National Museum of African American History and Culture View full entry
As the collection grew over the years, gallery space was lost to storage. Moreover, the building, designed by Eliel Saarinen, hadn’t been updated since it opened, in 1942, leaving it “no longer adequate to create a proper conservation or display environment,” said Reed Kroloff, the academy’s director. — nytimes.com
