But overall the Broad is a disappointment, and the ways in which it fails are more than a little concerning. Its incoherence, its poor urbanism and its unoriginality suggest that the transition from critics to makers may have DS + R stumped...The Broad’s failures of urban design are its biggest and most disappointing surprise. — Art in America

The Milwaukee Art Museum is due to reopen on 24 November after a 14-month, $34m renovation that brings the institution back from the brink. When the museum made the unorthodox decision to begin planning an expansion at the height of the recession in 2009, mould flourished, floors buckled and ceilings leaked in the two buildings that housed the permanent collection. [...]

Roberts says: “People who know our museum will not believe that this is the same museum.” — theartnewspaper.com

A raft of museums, most backed by private money, are springing up in what is, for many, an unlikely cultural hub: Beirut, the capital of Lebanon [...]

The design competition launched on 1 October; the architect Zaha Hadid is on the jury along with Hans Ulrich Obrist and Julia Peyton-Jones of London's Serpentine Galleries.

Salamé, who founded the Aïshti fashion chain, invested $100m in funding a contemporary art museum, designed by the British architect David Adjaye, in Jal El Dib [...]. — theartnewspaper.com

The elements of the Broad that have been most closely scrutinized or most often reworked, in fact, are the most uneven. It is only in the relative shadows — in the peripheral or easily overlooked spaces, or in the rooms added or enlarged late in the design process — that the architecture of the museum really comes to life.  — latimes.com

The neighborhood — a central district that was dismantled by the Nazis, battered by Allied bombs and radically reconfigured by postwar architects — has foiled urban planners, exasperated patrons of the arts and demoralized generations of Berliners intent on seeing their city made once more into a cohesive whole. [...]

Many are hoping that all that strife is in the past now that a new museum of modern art will be built in the much-maligned arts quarter. — nytimes.com

As far as major cities go, few other places are in possession of so many treasures that are so poorly exhibited as Berlin. It's as though cultural institutions here go out of their way to keep people from visiting. [...]

The city is undeniably home to diverse, valuable and unique museum collections, but they aren't helping the city as much as they should be. — spiegel.de

“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper

Dasha Zhukova’s Garage Museum for Contemporary Art is due to open the doors of its new $27m home in Gorky Park to invited guests on 10 June and the public two days later. The museum is housed in a Soviet-era pavilion that has been converted by the Dutch architect Rem Koolhaas [...].

In another riff on the building’s architecture, Garage will be hosting a conference in October on Soviet Modernism, a project of the Austrian curator Georg Schöllhammer [...]. — The Art Newspaper

As the museum turns 50 this year and debate continues about LACMA Director Michael Govan's plan to replace the Pereira buildings (and a later addition by Hugh Hardy) with a giant new wing by Swiss architect Peter Zumthor, it's worth remembering how the original LACMA campus was greeted — as well as a few things about the Los Angeles into which it was born. — latimes.com

The galleries are immense, the Renzo Piano design is arresting and the views of the Hudson River are expansive. As it prepares to open its new $422 million Lower Manhattan home on May 1, the Whitney Museum of American Art is pulsing with anticipation as it plans the inaugural events, including a neighborhood block party.

But behind the scenes the museum is also preparing for the challenge of paying to operate a building that is three times as large as the old one. — nytimes.com

For Málaga’s mayor, Francisco de la Torre, the rebirth of Hotel Miramar is a sign that his €100m gamble on rebranding the city is paying off. During his 15 years in office he has lead an aggressive campaign to turn Málaga into a place brimming with culture. [...]

His campaign reached new heights this week with the opening of the first foreign outposts of two high-profile museums: the Centre Pompidou Málaga and the Málaga branch of the St Petersburg State Russian Museum. — theguardian.com

The State Hermitage Museum signed a protocol of intent on Wednesday, 11 March, with the St Petersburg-based LSR development group to open a satellite branch of the museum in Moscow, on the grounds of the landmark former Soviet ZIL automobile plant. [...]

Also present was the Canadian architect Hani Rashid who will design the satellite with his New York-based firm Asymptote Architecture. Russian media report that construction is due to be completed by 2018. — theartnewspaper.com

Architect Elizabeth Diller [...] stood on the Grand Avenue sidewalk Friday morning in front of the Broad museum, which she designed with her New York firm, Diller Scofidio + Renfro, and is set to open Sept. 20.

Was she giving an architectural preview? Doing damage control? Trying to regain some influence over the narrative of the museum’s construction, which has been beset by delays, fabrication problems and legal wrangling?

The answer seemed to be some combination of the three. — latimes.com