Thanks to in situ artist Daniel Buren, the white glassy curved sails of the Gehry-designed Fondation Louis Vuitton in Paris have received a generous splash of vibrant color — or 13 colors, to be exact...Developed in collaboration with Frank Gehry, Buren's temporary piece, titled “The Observatory of Light“, made its official debut this past Wednesday. It took 29 nights over a period of five weeks to apply the dyed filters and white 8.7 cm-wide strips throughout the building's 3,528 glass panes. — Bustler

“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper

From the opening of the Fondation Louis Vuitton in Paris in October to the construction of The Broad in Los Angeles now set to open this autumn, the model of the single-donor museum is thriving. [...] what will happen to these new institutions on the death of the founder or the decline in their collecting activity. [...]

To what extent have these museum founders made plans to ensure the vitality and flexibility of their prized institutions beyond their own lifetimes? — theartnewspaper.com

In a cultural twofer that makes it Frank Gehry week here, the Louis Vuitton Foundation, a private cultural center and contemporary-art museum designed by Mr. Gehry, had its official inaugural ceremony on Monday, attended by the French president, François Hollande. At the same time, the Pompidou Center across town is giving Mr. Gehry, based in Los Angeles, a major career retrospective, his first in Europe. — nytimes.com

At 85, the architect Frank Gehry has neither stopped building nor started repeating himself and this month offers plenty of proof. Besides the unveiling of the Fondation Louis Vuitton in Paris, which he designed for the billionaire Bernard Arnault, the explosively coloured Biomuseo in Panama opened on 2 October followed by a retrospective at the Centre Pompidou, which opened on Wednesday, 8 October (until 26 January 2015). Gehry dispels some common misconceptions about his museum designs. — theartnewspaper.com

Despite its echoes of Paris’s architectural past, Frank Gehry’s latest museum project—the Fondation Louis Vuitton, opening this fall in the Bois de Boulogne—is like nothing the city has seen before: muscular and delicate, utilitarian and fantastic, a marriage of cultural ambition and private enterprise. Paul Goldberger looks at the genesis of LVMH chairman Bernard Arnault’s partnership with Gehry, and the triumphant result. — vanityfair.com