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Big news for architecture and art fans alike coming out of Los Angeles today, where The Broad just announced plans for a major expansion project to the tune of $100 million. The reveal of the new proposal, which will reportedly increase the available gallery space by 70%, comes nearly ten years... View full entry
Who gets to be remembered in a city, and why? That will be one of the questions on the dais when artist Catherine Opie joins current and former LA Times architecture critics Christopher Hawthorne and Carolina A. Miranda for a conversation on the topic at The Broad Museum in Los Angeles... View full entry
Eli Broad, a businessman and philanthropist whose vast fortune, extensive art collection and zeal for civic improvement helped reshape the cultural landscape of Los Angeles, died on Friday at Cedars-Sinai Medical Center in Los Angeles. He was 87. [...]
Mr. Broad (pronounced “brode”) made billions in the home-building and insurance businesses and spent a significant part of his wealth trying to make Los Angeles one of the world’s pre-eminent cultural capitals.
— The New York Times
Broad is best known for his extensive philanthropic work focused on public education, scientific and medical research, and the visual and performing arts. He, along with his wife Edythe, has given more than $4 billion to support these efforts. Their work has placed them among the leading... View full entry
The Broad announced today that it will present a new work from Venezuelan-born artist Carlos Cruz-Diez (b. 1923), in collaboration with the Cruz-Diez Art Foundation. Couleur Additive has been commissioned by The Broad as part of the Getty Initiative, Pacific Standard Time: LA/LA, a far-reaching... View full entry
But overall the Broad is a disappointment, and the ways in which it fails are more than a little concerning. Its incoherence, its poor urbanism and its unoriginality suggest that the transition from critics to makers may have DS + R stumped...The Broad’s failures of urban design are its biggest and most disappointing surprise. — Art in America
Sarah Williams Goldhagen pens a critique of Diller Scofidio + Renfro's The Broad. View full entry
The elements of the Broad that have been most closely scrutinized or most often reworked, in fact, are the most uneven. It is only in the relative shadows — in the peripheral or easily overlooked spaces, or in the rooms added or enlarged late in the design process — that the architecture of the museum really comes to life. — latimes.com
More on The Broad on Archinect:What makes an artless museum?So what's new at the Broad?DS+R's Broad Museum set to open on Sept. 20, with a Feb. 15 previewIs The Broad Museum's newly unveiled facade living up to its renderings? View full entry
Amelia Taylor-Hochberg penned What makes an artless museum?, which reviewed the February Sky-lit event/preview of the new Broad Museum. Therein she argues that it provided "an opportunity for the architecture to be treated as a relational art object, but not so it could be handled with velvet... View full entry
Far away from the snowscapes peppering the rest of the country, the salt flats and dry martinis of Palm Springs exists in a time and place apart. An original enclave of midcentury modernism, Palm Springs has been able to preserve that heritage thanks in large part to Palm Springs Modernism Week, a... View full entry
Architect Elizabeth Diller [...] stood on the Grand Avenue sidewalk Friday morning in front of the Broad museum, which she designed with her New York firm, Diller Scofidio + Renfro, and is set to open Sept. 20.
Was she giving an architectural preview? Doing damage control? Trying to regain some influence over the narrative of the museum’s construction, which has been beset by delays, fabrication problems and legal wrangling?
The answer seemed to be some combination of the three.
— latimes.com
Previously View full entry
The opening art display in September will offer an array of greatest hits from the more than 2,000 pieces the Broads have amassed. The show will range through some 60 years of post-World War II art, arranged in "predominantly chronological" order from the 1950s to a recently acquired massive video installation created in 2012. — Los Angeles Times
For $10, you can get a one-day not-so-sneak preview in the museum on February 15.Previously:Is The Broad Museum's newly unveiled facade living up to its renderings?The Broad Kinda Sorta Has an Opening Date: Fall 2015Los Angeles cultural boom gives city’s artists spaces they can call homeEli... View full entry
The facade of Bunker Hill's The Broad museum was officially unveiled this morning as workers removed the last of the exterior scaffolding, and things are not looking quite as originally envisioned. The design, by starchitects Diller Scofidio + Renfro, was originally advertised as an "innovative veil" that will activate "two-way views that connect the museum and the street"; today it's been updated to be, well, a bit less innovative. — la.curbed.com
For comparison - the rendered promise: View full entry
![An informal gathering at Taliesin West. [collage by Amelia Taylor-Hochberg]](https://archinect.gumlet.io/uploads/g9/g9344ae3jv5yf330.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=514 "An informal gathering at Taliesin West. [collage by Amelia Taylor-Hochberg]")
Friday, October 31:New Plan for Architecture School at Wright Foundation: Facing the loss of its accreditation in 2017, the school is considering independent incorporation in order to continue operating.Thursday, October 30:Archinect's Lexicon: "Anthropocene": Recognizing that "Architecture... View full entry
