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Welcome to “Countryside, the Future”: This is what you might get if you asked a celebrated European philosopher-architect to reinvent the Iowa State Fair. No mess, no smells, just acres of color printouts, cryptic homilies about nature, and a couple of pesticide-spraying drones. Did you know that agriculture is increasingly computerized? — New York Magazine
New York Magazine's architecture critic, Justin Davidson, takes a no-holds-barred look at the Countryside, The Future exhibition at the Solomon R. Guggenheim Museum in New York City. The exhibition, developed by a research and exhibition team led by OMA/AMO and Rem... View full entry
In a recent interview for New York magazine, architecture critic Justin Davidson interviews Frank Gehry on his work past, present, and future, highlighting the nearly 91-year-old architect's unwavering penchant for working through complex design and aesthetic ideas while still being able... View full entry
A project team led by Diamond Schmitt Architects and Tod Williams Billie Tsien Architects has been tapped to transform David Geffen Hall at Lincoln Center in New York City, home of the New York Philharmonic. According to a press release, the $550 million project aims to revitalize... View full entry
On March 15, after 12 years of planning and six of construction, the Related Companies will open the gates to its new $25 billion enclave [...] Besides being big, Hudson Yards represents something fundamentally new to New York. It’s a one-shot, supersized virtual city-state, plugged into a global metropolis but crafted to the specifications of a single boss: Related’s chairman, Stephen Ross — NY Magazine
New York's new Hudson Yards is a preview of what major cities may look like in the next few years. Upon first glance, the new complex oozes a distinct look. Some might call it progressive luxury design, others may think otherwise. However, the 12 year project has several people looking to stake a... View full entry
Stern has been called the Martha Stewart of architecture, a comparison suggesting that he’s selling a lifestyle rather than making art. — nymag.com
When MoMA’s chief curator of architecture and design Barry Bergdoll gives up his post at the end of the summer and returns to his tenured lair at Columbia University, the museum will lose a quiet crusader. MoMA can feel corporate and aloof, but in his domain, Bergdoll has displayed an uncanny sense of timing, using each exhibition to set a real-world agenda that frequently outlasts its run. — vulture.com
After seeing “Best School in the World,” a Center for Architecture exhibition on the progressive learning environments where Finnish students to the top of world rankings, New York’s Justin Davidson aligned the layout of these schools more with tech company offices. We’ve rounded up a few of the design perks that your middle-school self never dreamed of. — blogs.artinfo.com
The Best School in the World exhibition explores this question from an architectural perspective: in what types of environments does learning take place today, and what kinds of physical settings are the most conducive to successful learning? View full entry
Who needs a fancy designer when builders all over the country know how to construct a peaked-roof single-family house?
The Museum of Modern Art’s small but magnificently ambitious new show “Foreclosed: Rehousing the American Dream” makes an overwhelming case that the two camps need each other now. Today’s suburb has little to do with the outwardly tidy, seething, monochrome world of Updike or Revolutionary Road.
— nymag.com
Related, on Archinect, The CRIT: Thoughts on MoMA's Foreclosed: Rehousing the American Dream View full entry
