Follow this tag to curate your own personalized Activity Stream and email alerts.
While architecture was not taught at the school for the first half of its existence, even today we speak of “Bauhaus architecture” and feel confident that we know precisely what that means — even though, often, what we call “Bauhaus” has no connection to the school at all. — The New York Times
100 years after the inauguration of the famed Bauhaus school, we must still be reminded of some of its most essential principles. Namely, Barry Bergdoll admonishes, the Bauhaus was never a 'style' - it was a school of thought that advocated for the abolition of distinctions between the various... View full entry
How could an architect who had made the pursuit of lightness the essence of his design aspirations become one of the great form-givers of the aesthetics of weightiness? — Places Journal
In this rich examination of the work of Marcel Breuer, Barry Bergdoll explores the marked shifts between his early European and later American work, and finds a constant in the pursuit of lightness. In his efforts to reconcile vernacular traditions with modern expression and the conditions of... View full entry
A group of German architects and planners has started a campaign to rebuild the Wolf House, widely seen as a link between van der Rohe’s early, more conventional designs and his later buildings, like the Barcelona Pavilion and the Farnsworth House, that would redefine modern architecture. [...]
But the plan has run into resistance from other architects and scholars who say that the Wolf House would be too hard to reconstruct [...].
— nytimes.com
Related stories in the Archinect news:Two of a kind: photographer Robin Hill contemplates the Farnsworth House and Glass House simultaneouslyRedesign of DC's main Mies library tip-toes around the good and the badDavid Chipperfield pledges to carefully "optimize" Mies van der Rohe's Neue... View full entry
When MoMA’s chief curator of architecture and design Barry Bergdoll gives up his post at the end of the summer and returns to his tenured lair at Columbia University, the museum will lose a quiet crusader. MoMA can feel corporate and aloof, but in his domain, Bergdoll has displayed an uncanny sense of timing, using each exhibition to set a real-world agenda that frequently outlasts its run. — vulture.com
