Foreclosed is controversial because it suggests that the state, or the public sector — conceived along with civil society in terms of multiple, overlapping, virtual and actual publics — might play a more active, direct and enlightened role in the provision of housing and, by extension, of education, health care and other infrastructures of daily life in the United States.... Simply put, can we no longer imagine architecture without developers? — Places Journal

Though the panelists agreed that the foreclosure crisis will lead to major changes in suburban development, they all thought new patterns are less likely to be brought about by a revised American dream than by economic and demographic factors. And all said it would be very difficult to change zoning laws to permit denser new development patterns, especially in existing “inner-ring” suburbs. — archrecord.construction.com

For Archinect’s latest Working out of the Box feature, Paul Petrunia interviewed Pinterest Co-Founder Evan Sharp. Will Galloway asked "say shouldn't someone interview paul for this feature too?" to which Paul responded "Pay no attention to that man behind the curtain".

one driving idea of the show holds firm, Bergdoll’s binder notwithstanding: Suburbs are generally an architect-free zone. Insofar as such creatures are spied at all, they’re employed to rubber-stamp a builder’s plans. Beyond that, they’re not wanted. Suburbanites are conservative, wherever they might lie on the political spectrum: There’s a good reason why builders have kept on churning out houses which have remained essentially the same for decades, even as they have grown steadily in size. — architectmagazine.com

Architect Michael Graves considers the Portland Building one of his top achievements even though the building is still controversial. mdler thinks "this thing is a POS" and elletoman commented "gross". Donna Sink disagreed arguing "I love the Portland building and most important I love that this building happened.

Who needs a fancy designer when builders all over the country know how to construct a peaked-roof single-family house?

The Museum of Modern Art’s small but magnificently ambitious new show “Foreclosed: Rehousing the American Dream” makes an overwhelming case that the two camps need each other now. Today’s suburb has little to do with the outwardly tidy, seething, monochrome world of Updike or Revolutionary Road. — nymag.com