Architects and designers, responding to the news that the Museum of Modern Art intends to demolish a former museum, have some ideas for MoMA.Their concepts, some earnest and others tongue-in-cheek, are being compiled on a tumblr called #FolkMoMA, created to challenge MoMA’s assertion that the former American Folk Art Museum building is not compatible with its expansion plans. — blogs.wsj.com

Almost as soon as the news broke last week that the Museum of Modern Art planned to demolish the former American Folk Art Museum, a movement emerged to save it. Members of the design community—including the architects who designed the building—are registering their discontent with the decision. More than one petition is now circulating to rescue the Folk Art building as a result. — architectmagazine.com

When news broke this week that the Museum of Modern Art in New York intends on demolishing the former American Folk Art Museum building next door, a cry went up in the architectural and preservationist community. Now, a group of advocates is not only collecting protests to save the building, but also crowdsourcing design ideas for integrating the two adjacent museum structures. — nextcity.org

Do we save the American Folk Art Museum? As an architecturally significant monument, I believe MoMA should rethink its decision to raze the structure completely. If museums aren’t interested in saving the aesthetic heritage of our city, then we should be concerned about their role in our culture. — hyperallergic.com

Kennicott’s entry included several pieces published in the Style section last year. One was a review in June of an exhibit of creations by the architect Kevin Roche at the National Building Museum. — washingtonpost.com

Barry Bergdoll, chief curator of MoMA's architecture and design department, told AN that the decision was an administrative, rather than a curatorial one. He called the decision “painful” for architects and others who appreciate Williams and Tsein’s work, and acknowledged that museums have a responsibility to the art in their care—including architecture. — archpaper.com

Departing with the familiar tradition of producing a hefty physical volume, GSAPP offered its most recent Abstract in the form of an iPad app. In addition to (or on cover-like behalf of) this app, students received an object: It looks like a book, but turns out to be a book-shaped plastic box, and its contents consist of a URL, where the app can be downloaded. This object, as you can see, has not been universally embraced. — observatory.designobserver.com

The Russian avant-garde architect Konstantin Melnikov’s seminal cylindrical house in Moscow, which has inspired architects around the world for nearly a century, is gravely threatened by construction of a large multipurpose complex abutting its tiny backyard, Russian and international preservationists say. — artsbeat.blogs.nytimes.com

Atlanta and Rio are but two chapters in the long history of displacement that has accompanied mega-events like the Olympics. Similar dynamics reshaped London’s Clays Lane Estate, Beijing’s hutongs, the Marousi Roma settlement in Athens, Barcelona’s Poblenou and Seoul’s hanoks. . . . Today the people of Vila Autódromo are struggling for what housing scholar-activist Chester Hartman has aptly called “the right to stay put.” — Places Journal

To be sure, I do not believe that design practices do not involve research, or that these practices do not produce new knowledge. Nothing could be further from the idea. All design draws upon knowledge, either produced by existing research or new research. But critically, design is not synonymous with research. Design cannot base its conclusions on design itself. — Plat Journal

The ancient Afghan city of Ghazni has been designated an Asian city of Islamic Culture by the Organisation of Islamic Co-operation. But outsiders will find it difficult to see the city's famous Islamic and pre-Islamic architectural wonders because of the Taliban insurgency. — BBC News

...even for a big gun like Koolhaas, the global depression has had an impact. Thus his new furniture line for Knoll called “Tools for Life.” It’s a pretty standard track for any architect when the commissions start to dry up; have some interns fart out designs for a furniture line, ship it off to China for production, then slap a price tag on it with no less that 4 zeros and BOOM! you’re back makin’ Bentley payments and wearing Prada suits in no time. — The World's Best Ever

Archiculture takes a thoughtful, yet critical look at the architectural studio. The film offers a unique glimpse into the world of studio-based, design education through the eyes of a group of students finishing their final design projects. Interviews with leading professionals, historians and educators help create crucial dialog around the key issues faced by this unique teaching methodology. — archiculturefilm.com

In June this year UNStudio will launch the new organisation of its practice as an open-source knowledge-based practice operating projects around four specialised Knowledge Platforms.

As part of the reorganisation of the studio a new interactive online knowledge platform will be launched, aimed at facilitating the open exchange of knowledge, with the ultimate goal of introducing and encouraging the expansion from a collaborative to a co-creative working model for architecture. — unstudio.com