‘David says I’m the ears and he’s the eyes,’ Peter says of their working relationship. ‘When I see architecture I hear sounds – I respond to the visual. David responds to sound – he creates with a soundtrack in his mind.’

The collaboration first started in 2003 with the Asymmetric Chamber – an architectural installation that Manchester’s CUBE gallery commissioned David to design. As part of the work, Peter composed a soundscape titled ‘Echoes’ to play in the space. — thespaces.com

"For us it's a prototype. For us, a prototype means it will have another life,”

“Right now, our summer house operates at a scale of something maybe like furniture or something like a small building, but a prototype is something that has a resonance, it's something that lives beyond its four months here, that will occur on a different scale, in a different place.” — Archinect

Smithfield market will be the museum’s new home, but which architectural vision should shape its future: the eye-catching one, the ghostly one, the corporate one … or the one that rings alarm bells?

Little detail has been revealed about the shortlisted schemes, which will go on public exhibition from 10 June to 5 August with a winner chosen by an expert panel later this summer. — theguardian.com

Asif Khan who, exuding youthful energy, called the Summer House a “project” and an “opportunity”. The structure forms a circular enclosure with a circular seat at its middle, shaped by vertical white slats softly bending upward. Khan explained his research into Queen Caroline’s Temple, saying, “I took that as a departure point for my project, and plugging in sun path calculations to the existing temple, because there had to be some seriously clever way that it was positioned.” — Archinect

“I think when an artist exhibits in a gallery that is sometimes a white cube or a former power plant or warehouse, they have a lot of freedom to focus on the manifestation of their work. You can almost see the Serpentine Pavilion as exactly that: it’s a small pavilion in a gigantic park. The work becomes a pure manifestation of that architect.” — Bjarke Ingels – Archinect

“While observing the building, we realized that the internal void was really a great quality to reveal, and so our building is really an inversion of that,” [Kunlé Adeyemi] explained.

“In a way, it’s a rotated from of the temple that highlights the interior space and also creates the fundamental purpose of what we think a summer house is: a place for shade and relaxation." — Archinect

Collective Architecture is branching out east with the official opening of a new Edinburgh office, necessitated by a growing portfolio of work across the UK stretching from the east coast to the north of England and London.

Director Jude Barber said ‘We are delighted that Collective Architecture continues to evolve and grow with our new studio in Edinburgh.” — urbanrealm.com

Titled “Frank Lloyd Wright at 150: Unpacking the Archive” and billed by the museum as a “major retrospective,” the show will display about 450 works from the 1890s through the 1950s. [...]

Many of the objects are drawn from the Frank Lloyd Wright Archive ... Key themes will include Wright’s involvement in global networks of architects, his preoccupation with decoration and his capacity for constructing his public image — a precursor of the “starchitect” age. — chicagotribune.com

At 93 years of age, Friedman is the oldest architect in the group. He took the opportunity to further explain the thinking that has propelled his life’s work, and the origin story behind the structure.

The Summer House, Friedman explained, “was improvised from small models that I was putting together and it was reproduced. And for me the most important [thing was] that anyone could make this, and I made this experiment and it was built by children.” — Archinect

With the working title Utzon, The Man Behind the Opera House, the film will tell the story of Danish architect Jørn Utzon, who was just 38 years old and relatively unknown when he won the international competition to design an opera house on Sydney’s Bennelong Point in 1957...

The Sydney Opera House was completed by Australian architect Peter Hall – a handover which ostracised Hall from the architectural community, and which his family believe led to his ruin. — The Guardian

When the architecture community learned of the passing of Zaha Hadid in late March, it came as a bit of consolation that her first and only building in New York, 520 West 28th Street, had already begun to take shape along the High Line, ensuring that her legacy would last in our skyline. In much welcome news, 6sqft learns today that yet another design of hers will rise just three blocks away in Chelsea. — 6sqft

With the new mayor focusing our attention on smart development and social equality, 2016 will be a banner year for the London Festival of Architecture. Election watchers will be familiar with many of this year’s hot topics: community spaces, social housing, docklands renewal. But considering the theme this year is ‘community’, there will be something for every tribe of Londoner. Out of 300 events, we’ve picked the 10 must-sees. — thespaces.com

Liverpool's Riba North will have conference facilities and a gallery "at its heart", a spokeswoman said.

It will open in August with an exhibition of designs for Liverpool that were never built.
The centre, which will be housed in the Broadway Malyan-designed Mann Island on the city's waterfront, "will offer a magnificent opportunity to display Riba's historic collections, telling hundreds of years of the UK's extraordinary architectural history", Duncan said. — bbc.com