Certainly New Yorkers’ revaluation of the countryside had begun long before the “Decameron”-style outflows of remote-working urbanites and their families, fleeing the coronavirus last spring. [...] The phrase “farm to table” has been a cliché for years, and Park Slope idealists long ago exported their Marie Antoinette rural fantasies to the Hudson Valley. — The New York Times
With the coronavirus eating its way through America's hinterlands and the election unmasking a deeply entrenched urban-rural ideological divide, NYT art critic Jason Farago takes a second look at the Rem Koolhaas-starring exhibition Countryside, the Future which opened at the Solomon R. Guggenheim Museum back in February — only to close again three weeks later due to the unraveling pandemic.
"What 'Countryside' does is take seriously the contention that all avant-gardism gets commodified, that dissent is always co-opted, and that under such conditions you might want to get out of town," Farago writes.
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