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The differences between “City” and the Sphere are deep, true, yet narrower than you might suppose—the works are trying for the same things but in opposite ways. Both are big, expensive, geometric structures in the desert that offer visitors a vivid encounter with the natural world—one with exquisite footage of jellyfish and the like, the other with deftly roughened rock and concrete. — The New Yorker
The New Yorker’s art critic Jackson Arn takes on two of the most recent (and spectacular) cultural offerings of the Silver State — "One with a deluge of images and the other with a tantalizing lack of them," as he writes. Related on Archinect: Take a look at photos of Michael Heizer's... View full entry
A Portuguese graffiti artist who goes by Vile has been painting since he was a teenager, a depth of experience that, when combined with his skills in animation and illustration, allows him to "create stunning optical illusions whereby his name appears as a window cut into the side of a wall,"... View full entry
The caption to the photograph reveals that this isn’t New York at all, of course, but Sweden: a life-size replica of Harlem in a forest in the west of the country, near Gothenburg. The asphalt and snow are real enough, but nearly everything else is fake. The streets are void of people and cars; the store fronts are life-size photographs, printed on canvas and hung on steel frames. Welcome to the Potemkin village: a place of clones, impostors, facsimiles, frauds. Maybe don’t plan to stay. — The New York Times
Why is there a life-size replica of Harlem in Sweden? This bizarre space turns out to be a test track for self-driving cars. Why Harlem? Even Austrian artist Gregor Sailer who photographed the space doesn't know. Sailer traveled around the world to capture 25 of these false architectural... View full entry
Created by architecture firm FreelandBuck, the piece consists of nine different illusions that click into place only if you stand at the exact right point underneath each of them and gaze upward. “We want people to wander through this room and really figure out this puzzle for themselves, while also enjoying this wonderful, confusing, complex shifting of patterns and geometries,” Renwick curator-in-charge Abraham Thomas says. “Touch wood, there won’t be collisions.” — The Washington Post
Back in May, the Los Angeles-based studio FreelandBuck was selected to design and install a temporary ceiling in the Renwick Gallery’s Grand Salon in the Smithsonian. This is a first for the gallery that plans on turning this into a recurring installation series called "Above the Renwick."... View full entry
The Los Angeles-based studio FreelandBuck has been selected to design and install a temporary ceiling in the Renwick Gallery’s Grand Salon in the Smithsonian, the first in what is expected to be a recurring installation series called Above the Renwick Installation.Their project draws on the... View full entry
