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Shortly after the invention of photography, there was architecture photography. Generous natural lighting, a range of scalable details and a pride of place made architecture a primary subject in the understanding of photographic technology during the first half of the 19th century. Paris'... View full entry
The work of Japanese photographer Hisaharu Motada envisions what Tokyo might look like in some version of the future. Offering glimpses of doomsday, Motoda's lithographs depict deserted cityscapes, crumbling buildings, monuments overgrown with weeds, and other markings of a post-apocalyptic world... View full entry
Across Hong Kong, where almost half the population lives in government-provided housing, public housing complexes have become wildly popular Instagram destinations. Locals and tourists have flocked to estates around the city, craning their necks to get that perfect social media shot and irritating residents in the process.
The estates have drawn professional interest as well, featuring prominently in marketing campaigns and even a music video by the Korean boy band Seventeen.
— The New York Times
Hong Kong's public housing, largely built in the 1960's and 70's, has attracted widespread public attention for its aesthetic appeal. These modernist style high-rises photograph beautifully with colorful displays of clean lined symmetry. While these buildings are visually engaging, they also play... View full entry
The caption to the photograph reveals that this isn’t New York at all, of course, but Sweden: a life-size replica of Harlem in a forest in the west of the country, near Gothenburg. The asphalt and snow are real enough, but nearly everything else is fake. The streets are void of people and cars; the store fronts are life-size photographs, printed on canvas and hung on steel frames. Welcome to the Potemkin village: a place of clones, impostors, facsimiles, frauds. Maybe don’t plan to stay. — The New York Times
Why is there a life-size replica of Harlem in Sweden? This bizarre space turns out to be a test track for self-driving cars. Why Harlem? Even Austrian artist Gregor Sailer who photographed the space doesn't know. Sailer traveled around the world to capture 25 of these false architectural... View full entry
Taking a photograph of architecture by using a camera is tantamount to placing a small architecture against another large architecture and having the small one swallow the larger one. — Places Journal
The Japanese word for buildings, tatemono, means “things that are standing.” On the occasion of a major career retrospective at the Minneapolis Institute of Art, Naoya Hatakeyama considers the meaning and the practice of photographing the built environment, and the distinction between the... View full entry
For this month's Wide Lens, a column that investigates the relationship between architect and photographer, Photography & Architecture editor Julie Grahame shares some insight from her interview with architectural photographer, Scott Frances.Julie Grahame:Post Production and Retouching of... View full entry