The differences between “City” and the Sphere are deep, true, yet narrower than you might suppose—the works are trying for the same things but in opposite ways. Both are big, expensive, geometric structures in the desert that offer visitors a vivid encounter with the natural world—one with exquisite footage of jellyfish and the like, the other with deftly roughened rock and concrete. — The New Yorker
The New Yorker’s art critic Jackson Arn takes on two of the most recent (and spectacular) cultural offerings of the Silver State — "One with a deluge of images and the other with a tantalizing lack of them," as he writes.
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