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OMA’s design for the National Art Museum of China in 2011 was planned as a city, revolutionizing the way in which museum’s work today.
Like any city, circulation can be efficient and direct – for larger groups – or meandering and individual. The story of Chinese art can be told, or discovered. The main circulation of the city is based on a five-pointed star that leads from the multiple entry points on the periphery to the centre.- OMA on Instagram
— instagram
I had to think twice or more, but I think my title for this plan works. View full entry
Rem Koolhaas said Zaha Hadid Architects could survive the death of its founder if it feeds on her architectural DNA. [...]
“I think there is a model these days where fashion houses survive by working on the DNA of their founders,” he said.
“It is a model that is becoming more and more current and it could work in architecture too, I think.”
— building.co.uk
Related on Archinect:Impromptu Zaha Hadid retrospective planned for Venice BiennaleZHA after Zaha: Patrik Schumacher on Zaha and what's next for the firm, on Archinect Sessions #61Zaha Hadid Architects to continue under Patrik Schumacher's leadershipZaha Hadid Dies at Age 65 View full entry
Contrary to many, maybe including himself, I do not consider Bjarke Ingels the reincarnation of this or that architect from the past. On the contrary, he is the embodiment of a fully fledged new typology, which responds perfectly to the current zeitgeist. Bjarke is the first major architect who disconnected the profession completely from angst. He threw out the ballast and soared. — TIME
"With that, he is completely in tune with the thinkers of Silicon Valley, who want to make the world a better place without the existential hand-wringing that previous generations felt was crucial to earn utopianist credibility," writes Rem Koolhaas for TIME's 2016 list of the "100 Most... View full entry
Dubai's desire to become a (tasteful) global cultural center is gaining further traction with an OMA-designed events and project space for local art-scene hub Alserkal Avenue. The 1,000 square meter gallery features four movable walls which can either rotate or slide within a flexible floor plan... View full entry
In 1997 two architects set out to rethink Lagos, an African megacity that had been largely abandoned by the state. Amid the apparent chaos and crime, they discovered remarkable patterns of organisation. Two decades later, Rem Koolhaas and Kunlé Adeyemi discuss the past, present and future of the city – and reveal why their own project never saw the light of day — theguardian.com
"...it was the ultimate dysfunctional city – but actually, in terms of all the initiatives and ingenuity, it mobilised an incredibly beautiful, almost utopian landscape of independence and agency." - Rem KoolhaasRelated stories in the Archinect news:Koolhaas guides viewers through bustling Lagos... View full entry
We swear, no BIG or Trump on this episode. We discuss the donation of Lautner's breathtaking Sheats-Goldstein house, complete with jungle, nightclub and infinity tennis court, to the Los Angeles County Museum of Art, to become the museum's first acquired piece of architecture (along with a sizable... View full entry
If you're planning to head to this year's AIA National Conference in Philadelphia, you're in for what should be a great talk: Rem Koolhaas, renowned founder and principal of the Office for Metropolitan Architecture (OMA), has just been announced as the keynote speaker for the third day of the... View full entry
What they weren’t trivializing or coarsening with commerce, railroad executives were simply neglecting. Whether desperately or cynically, they seemed to understand that redevelopment of their money-losing, nine-acre station would be more palatable if the public could be made to forget the glories of Mr. McKim’s original design. Pink granite walls were allowed to turn gray. Straw-colored travertine looked nicotine-stained. Jules Guerin’s murals disappeared under veils of grime. — nytimes.com
The destruction of Old Penn Station in favor of its soulless, uninspiring replacement has garnered an ample share of outraged pixels—but what if the long-accepted narrative has a twist? Apparently, the inspiring sweep and elegance that is so often attributed to Penn Station had fallen victim to... View full entry
Rem Koolhaas/OMA will design The Factory, the proposed £110 million (approx. US$166.3 million) Manchester Arts Centre in England. Koolhaas won the commission ... over fellow starchitects including Zaha Hadid, Mecanoo, Grimshaw Architects, Rafael Viñoly, DS+R, and Haworth Tompkins. [...]
Named after the Manchester-based record label, The Factory is described as a cutting-edge, flexible cultural institution that ... will also be a major component in the cultural redevelopment of the city.
— bustler.net
The question to be addressed by confronting these different types of ‘enclaves’, is of the role of architect and the scarce influence of the architectural practice to affect the social realm. The intangible architectures that emerge from these urban ecologies create a wider system; an archipelago of enclaves can be found from one place to another, from one epoch to the next one — dpr-barcelona
A big picture on "enclaves and archipelagos as built environment and social realities cities need to ultimately adopt and use these systems in their developmental urban design projects. "This is a tale of two cities. One, designed and dreamt by the architect. The other, the result of regional... View full entry
The Spanish-publisher Arquitectura Viva just published a new monograph on Rem Koolhaas, their first-ever on the Dutch architect. Focusing on work since he won the Pritzker in 2000, the monograph includes an essay and twelve critical texts by Luis Fernández-Galiano alongside images of some of... View full entry
It's something like cultural alchemy: the sale of a single painting is set to pay for half of a new OMA-designed annex space for the Wilshire Boulevard Temple, according to an announcement made today by the congregation. Donated by the philanthropist Audrey Irmas, the painting is a... View full entry
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
The design is relatively straightforward and free of OMA’s usual quirky structural tricks, once you get past the sliding entrance portals. Plywood-lined steps...lead you to an educational area, where visitors can explore the Garage digital archive, and back down the terraced levels of a bookshop. Up on the main gallery floor, there’s a big open space, currently filled with ping-pong antics...When the building is finally completed in [Sept.], a big red staircase will lead up to an open roof-deck. — The Guardian
The Garage Museum of Contemporary Art opened this week in Moscow. Described by Rem Koolhaas as "not restoring the building, but preserving its decay," the OMA-helmed intervention comprised sheathing a Soviet-era restaurant in a polycarbonate skin. Funded by Dasha Zhukova, the museum is... View full entry
Dasha Zhukova’s Garage Museum for Contemporary Art is due to open the doors of its new $27m home in Gorky Park to invited guests on 10 June and the public two days later. The museum is housed in a Soviet-era pavilion that has been converted by the Dutch architect Rem Koolhaas [...].
In another riff on the building’s architecture, Garage will be hosting a conference in October on Soviet Modernism, a project of the Austrian curator Georg Schöllhammer [...].
— The Art Newspaper
To learn more about Garage's new Gorky Park building, click here.Previously on Archinect:Rem Koolhaas and Dasha Zhukova share what's in store for the new Garage MuseumGarage Museum Teaches an Old Building New Tricks View full entry