Frank Gehry has revealed that French president Francois Hollande has given him his word that he could self-exile to France now that Donald Trump has been elected the 45th President of the United States.

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With the bleak prognostic becoming a reality, the starchitect might see himself emigrating to a new country, with a big welcome from its leader. — artnet

The number of migrants sleeping rough on the streets of Paris has risen by at least  a third since the start of the week when the "Jungle" shanty town in Calais was evacuated.

Along the bustling boulevards and a canal in a northeastern corner of Paris, hundreds of tents have been pitched by asylum seekers - mostly Africans who say they are from Sudan - with cardboard on the ground to try and insulate them from the cold. — Al Jazeera

This narrow, nondescript passage — known as the Impasse Ronsin — was once an artery of aesthetic energy that, in no small fashion, defined French postwar art in all its insanity. First the site of the sculptor Constantin Brancusi’s studio, Ronsin was later where the likes of Max Ernst, Yves Klein, Niki de Saint Phalle and Jean Tinguely all lived or worked for much of the 1950s and early 1960s. — NYT

As heavy rainfall floods Paris, the Louvre isn’t taking chances with its priceless art collection and will close on Friday to prevent water damage.

The museum will move pieces from its underground stores to higher floors to keep them safe, according to a Thursday statement. The Louvre is right next to the Seine river, which has risen 16 ft. above its normal levels due to rain over the past few weeks, AFP reports. — TIME

Thanks to in situ artist Daniel Buren, the white glassy curved sails of the Gehry-designed Fondation Louis Vuitton in Paris have received a generous splash of vibrant color — or 13 colors, to be exact...Developed in collaboration with Frank Gehry, Buren's temporary piece, titled “The Observatory of Light“, made its official debut this past Wednesday. It took 29 nights over a period of five weeks to apply the dyed filters and white 8.7 cm-wide strips throughout the building's 3,528 glass panes. — Bustler

This fall, the Jewish Museum will present what it’s billing as the first United States exhibition devoted to the work of Pierre Chareau, a French Modernist who for decades fell out of the mainstream history of art and architecture [...]

Chareau (1883-1950) was a prolific designer and art collector in France, and best known for his Maison de Verre (“Glass House”), a landmark building in Paris created in 1928 in collaboration with the Dutch architect Bernard Bijvoet... — the New York Times

Unveiled this week, the €1bn redevelopment is the largest infrastructure project that Paris has undertaken in decades, aiming to fix the messy tangle where Europe’s biggest underground station disgorges 750,000 passengers a day into a labyrinthine warren of shops [...]

It is hugely overwrought, the layered steel roof pulled to and fro in tortured twists and turns, forming a contorted rollercoaster of curved trusses and angled bracing... — the Guardian

Public tours of a newly-restored Salvation Army shelter in Paris designed by Le Corbusier and his cousin Pierre Jeanneret start in April. The tour guides for the 11-storey building, known as the Cité de Refuge, will be the residents of the building themselves who have been trained by the Fondation Le Corbusier.

The Cité de Refuge, which opened in 1933..., is historically significant as Le Corbusier’s first urban housing project and one of only two completed buildings in Paris. — The Art Newspaper

Parisian designer Stéphane Malka Architecture has suggested creating affordable housing in the French capital by adding prefabricated elements on top of and between existing buildings.

The “3box” system does not require the purchase of sites. Instead, the right to build is obtained in exchange for renovating existing buildings.

According to Stéphane Malka, the housing would cost 40% less than the usual market price and could be built quickly and cheaply in workshops. — Global Construction Plan

When asked why the company chose not to commission Rem Koolhaas' OMA, who are already involved with designing the department store’s art foundation, Costa says that the decision to select BIG was based on the firm’s disruptive thinking and that OMA was already working with German department store KaDeWe in Berlin. “We were confident to work with new architects,” he says. — Business of Fashion

The Palace at Versailles has announced that Olafur Eliasson will display his artworks at the palace and its gardens this year. The Icelandic-Danish artist's exhibition will be on view from June through October, following the well-received installations of contemporary art at the baroque symbol of absolute monarchy by Jeff Koons, Takashi Murakami, Portuguese artist Joana Vasconcelos, and French artist Xavier Veilhan... — artnet.com

French architects [SCAU] are planning to build a 'water wheel hotel' on the banks of the Seine, which resembles the London Eye but with 'room capsules' that would rotate constantly. ...[However,] the wheel hotel is not intended to be a permanent structure. 'It is made of wood and it will only take four days to assemble or dismantle it, so it could be transported by barge and re-erected elsewhere on the river' [said Maxime Barbier of SCAU] — The Telegraph