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The Swiss architecture firm Herzog & de Meuron went tropical to design an alluring home for a museum long stifled by a bad building in an unfortunate location. The Perez now has a shot at establishing itself as a major destination. — bloomberg.com
The Jury of Melbourne's Flinders Street Station competition was unanimous in the highly anticipated selection of the final winner: the beautiful vaulted roof-scape designed by Australian/Swiss team HASSELL + Herzog & de Meuron with London-based Purcell as heritage consultants. The entry by Eduardo Velasquez, Manuel Pineda and Santiago Medina was announced as Winner of the People's Choice Award. — bustler.net
Previously: Big Names on Flinders Street Station Shortlist - Public Voting Now Open View full entry
The public is invited to vote for their favorite entry from a field of six finalists in the Flinders Street Station Design Competition, an international, high-profile architectural competition to rejuvenate and restore the historic Flinders Street Station in Melbourne, Australia. The shortlist sports some big names, including Pritzker Prize winners Zaha Hadid and the team of Jaques Herzog and Pierre de Meuron. — bustler.net
Voting opened this week and is accessible via the competition website until Monday, August 5th, 2013. UPDATE: HASSELL + Herzog & de Meuron Win Flinders Street Station Competition View full entry
The team Herzog & de Meuron + TFP Farrells is the winner of the international competition to design M+, Hong Kong's future museum for visual culture in the West Kowloon Cultural District. The winning team will work closely with the West Kowloon Cultural District Authority over the next four years to design and deliver the ambitious project which is scheduled for completion in 2017. — bustler.net
Six teams were shortlisted in December last year and invited to submit conceptual designs for the building, including the international design heavy hitters Kazuyo Sejima + Ryue Nishizawa/SANAA, Renzo Piano Building Workshop, Shigeru Ban Architects + Thomas Chow Architects, Snøhetta, and... View full entry
SPIEGEL: Mr. de Meuron, Mr. von Gerkan and Mr. Ingenhoven, architecture's reputation in this country is worse than ever. How much of the blame do you bear? — Der Spiegel
Stuttgart's train station, Hamburg's concert house and Berlin's airport: Three projects in Germany are currently competing to be seen as the country's most disastrous. SPIEGEL spoke to the star architects behind the construction sites. View full entry
After extensive discussions, the panel decided to recommend the Swiss office of Herzog & de Meuron to be the architects for the National Library of Israel. The panel, which was already aware of the many significant works of these Pritzker prize laureates, was extraordinarily impressed by the commitment shown by Jacques Herzog & Pierre de Meuron, as well as by the strengths and promise of their architectural approach... — web.nli.org.il
The long-stalled Tribeca building announced its comeback in October, only a week before resuming construction. Now the Herzog & de Meuron-designed tower is officially on the market. Nine listings have popped up on StreetEasy, ranging in price from a 2BR for $3.625 million to a 4BR penthouse for $24 million. — Curbed NY
Herzog & de Meuron's glassy Tribeca tower is, after many years, finally on the market, with prices starting at $3.625 million. View full entry
The Swiss practice is one of three that have been commissioned by Canary Wharf Group to design the first phase of the Wood Wharf development.
Allies & Morrison has been appointed to design two new office buildings which will sit either side of the western end of the high street. The offices, aimed at IT services and new media companies, will sit above two storeys of retail.
— bdonline.co.uk
It's known as Eleven Eleven, and it has changed people’s perception about what a utilitarian structure can be; and has ignited conversations worldwide about its design and use. This garage has reshaped the urban fabric of the city and people are going there to get married, relax, and enjoy a cocktail. — vimeo.com
With a press conference held on the construction site today, the Fondazione Giangiacomo Feltrinelli celebrates the ground-breaking for the new Porta Volta. The project comprises the 2’500 sqm Fondazione Giangiacomo Feltrinelli, an 7’500 sqm Office Building and a generous 15’000 sqm Green Area. — herzogdemeuron.com
Four years of construction is expected to begin next week on the long delayed 56 Leonard Street, the 830-foot-high residential tower announced four years ago for the southwest corner of Church and Leonard streets. For more than three years, the building's completed foundation has sat barren while the recession-stymied developer, the Alexico Group, sought financing to complete the project. — tribecatrib.com
For the latest edition of the Working out of the Box series, Archinect featured Ioana Urma. Ioana has completed a number of (public) art projects – murals, installations and other media and also does freelance commissions, ranging from 2D to 3D: books, illustrations, interiors, art... View full entry
The new building cost about $26 million to build—70 percent below the previous budget. But is less less? When the new plan was announced, Nicolai Ouroussoff, writing in the Times, thought so, calling it "a major step down in architectural ambition."
Ouroussoff was wrong. True, no one can know what the "cluster of pavilions" would have looked like. I can only report that the rectangular building is a triumph. The materials are gorgeous.
— archrecord.construction.com
Since it was finished half a dozen years ago, Herzog & de Meuron's 40 Bond Street has become one the foremost icons of the current generation of New York City architecture. Or so the design cognoscenti think. But what about everybody else? Among average New Yorkers, opinions are mixed in this funny video. One guy who definitely does not like the place is a cranky old neighbor from down the block. — New York Observer
Ai Weiwei has never set foot inside the [Bird's Nest].
He told NPR that the stadium has become entirely divorced from ordinary people.
"We love this building, but we don't like the content they have put in, the kind of propaganda. They dissociated this building [from] citizens' celebration or happiness, [it's] not integrated with the city's life," Ai said. "So I told them I will never go to this building."
— npr.org
The attached photos were taken by me on a recent trip to Beijing. View full entry