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The Tate Modern in London has announced its compliance with the UK High Court’s February ruling regarding a privacy case that involved its 10th-floor viewing gallery and five residents of the adjacent Neo Bankside apartments. The museum will now restrict visitors' access to the platform, which... View full entry
Herzog & de Meuron, the Swiss architecture firm behind the ambitious Tate Modern extension, took a reduced fee for work on the building project after costs went £45m over budget.
According to documents obtained by the Architect’s Journal under the Freedom of Information act, Herzog & de Meuron was asked not to take its full fee for extra work on the 10-storey building, which went from costing £215m in 2012 to £260m in 2015.
— theartnewspaper.com
The Art Newspaper cites the minutes from a 2015 Tate board of trustees meeting: "Conversation at a senior level indicates that [Herzog & de Meuron] will look sympathetically on this position, but that costs have already been incurred to a certain level, which will require some recompense... View full entry
When we first visited Bankside Power Station for the original Tate Modern competition in 1994, it seemed like the castle in Sleeping Beauty – an enormous urban mountain that was completely overgrown, surrounded by barbed wire and prickly roses, as if protecting the hidden beauty inside. It seemed dangerous. It is totally unimaginable now, but this was a huge chunk of the city that was totally excluded from public life, set back behind high walls. — theguardian.com
Read more on the Tate Modern:A look around the new Tate Modern extension"We can't sneer at developers": Herzog & de Meuron examine London's futureFirst look inside Tate Modern's new Extension View full entry
The original Tate Modern redevelopment was started in 1995 and since opening in 2000 has become the most popular gallery in the world. It made sense then for Herzog and De Meuron to return and finish the job. Their architectural evolution and legacy is now embedded in the London skyline, as is... View full entry
Set to open on 17 June, the Tate Modern Switch House – named after the part of the power station that the new galleries occupy – expands the museum by 60% to accommodate the surging numbers of visitors, which reached 5.7 million last year, well over double the number the building was designed to cope with when it opened in 2000. But the arresting brick ziggurat is also a physical symbol of the effect the Tate has had on its surroundings. — theguardian.com
Read more relating article here:Future sustainable skyscrapers will be made of...wood?Fabricated robot installation at the V&A unveiled as part of their first Engineering SeasonHerzog and de Meuron in conversation with Rowan Moore View full entry
As Herzog explains, piling some refined Swiss biscuits on the table in front of him to illustrate his point, an earlier design envisaged stacked-up glass cubes, but the material was too similar to the developers’ stuff. “We realised that in order to survive we have to strengthen it,” he says [..]
Yet the precedent of the original Tate Modern – also severe on the outside, lively inside – shows that a building doesn’t have to gurn and wheedle to be popular.
— The Guardian
"In this and other works, Herzog and De Meuron like to present a protestant moment of denial before pleasure, to forbid before welcoming, to be severe before generous. It is part of their worldview, different from most architects’, in which delight and beauty co-exist with more troubling or... View full entry
