The original Tate Modern redevelopment was started in 1995 and since opening in 2000 has become the most popular gallery in the world. It made sense then for Herzog and De Meuron to return and finish the job. Their architectural evolution and legacy is now embedded in the London skyline, as is their success. 

The synergy between the buildings, old and new, is remarkable and assisted satisfyingly by the graphic identity from British designer Peter Saville. The space is incredibly successful as an art gallery but also as an architectural performance; there are continuous structural accents inviting you to explore the sensuality of the space. From the inside the lattice brickwork is a welcome and original delight that insists on further inspection and accordingly reveals disguised benches bracketed into the window, ostensibly waiting for you all along. It is easy to navigate your way through the building but also extremely satisfying to get lost in it. 

Offering almost certainly one of the best views of London, the viewing platform is an obvious yet clever addition. Looking over the river to St.Paul's and onto The City the original unused boiler room obstructs the view; demanding attention and reminding you like a first child, 'don’t forget, I was here first’.