[...] Peter Barber, one of the most original architects working today. Over the past decade he has built a reputation for his ingenious reinventions of traditional house types and his ability to craft characterful chunks of city out of unpromising sites.

[...] He is a master of humane high-density, designing that rare thing: new housing that feels in tune with the grain of London, in the form of neither alienating slabs nor tacky towers, without resorting to pastiche. — The Guardian

A man has died after reportedly being hit by a windowpane that fell around 250ft from the top of a block of flats in central London. [...]

An image taken from The Corniche on the south bank of the River Thames by a resident showed a large window unit, complete with metal frame containing glass, on top of a male figure. [...]

An image showed a window missing from near the top of the 27-storey tower. — The Independent

Following a three-year, £50.7m programme of works, dubbed the “Open Up” project, the ROH hopes to have a more visible, welcoming presence. Its motivations have not only been to shed its rarefied reputation, but also to improve crowd flow inside the constricted corridors, inject daytime activity and transform its secondary studio, the Linbury, into a new world-class theatre. Walls have been bulldozed, spaces excavated, and restaurants extended [...] — The Guardian

It is an inventive fusion of the industrial and the crafted that runs throughout the project​ [...] Throughout, there are details that show the architects’ interest in how the building has been made and altered over time, and an awareness that their interventions are part of the ongoing life of the place, forming a richly layered canvas for artists to add to in turn. — The Guardian

JCDecaux has taken the wraps off a unique piece of out-of-home inventory in London designed by Zaha Hadid Design.

The agency briefed the agency to redefine 'the design language of billboards'. It ditched the conventional shapes and frames that have steered the industry to date. Dubbed 'The Kensington', and located on the road from London to Heathrow, the structure takes the shape of a curved double-ribbon. — thedrum.com

London is pure object in these images and likewise in those taken from the other aforementioned viewing points. Like visitors to a museum, we wander the corridors atop the Switch House and observe the artefacts curated for our all-consuming gaze: a shard, a walkie-talkie, a gherkin, etc. Like Tower Bridge, the new Museum of London, Battersea Power Station and the Tate Modern, the skyline of the city is presented as a display – complete with its own exhibition gift shop. — failedarchitecture.com

The trustees of London’s garden bridge, including actor Joanna Lumley and the former Labour minister Lord Davies, could have breached their legal duties over the failed project, that cost taxpayers more than £40m, according to a leading lawyer.

The legal opinion comes as pressure mounts for a formal investigation into how the charity behind the abandoned scheme spent so much money without construction work even beginning. — The Guardian

Facebook is doubling its presence in London by acquiring office space across two buildings in King's Cross.

The 600,000 square feet (56,000 square meters) of office space will be enough for more than 6,000 workstations. [...]

The expansion follows the 2017 opening of its site at Rathbone Place, which added 800 jobs and opened its first in-house incubator program for startup businesses. It also has a location on Brock Street. — CNET

A 56-storey tower called The Diamond is set to join the growing cluster of skyscrapers in the City of London and will be the financial district’s third-tallest building when completed.

The planned 263.4m tower at 100 Leadenhall Street will rank behind 1 Undershaft at 290m, nicknamed the Trellis, where work is yet to start, and 22 Bishopsgate, the reworked Pinnacle at 278m, which is under construction. — The Guardian

The public inquiry into the Grenfell Tower disaster has sacked its expert architectural witness after it emerged he was not a registered architect.

John Priestley, who was appointed on Wednesday to produce a report into the architectural design of the refurbishment of Grenfell Tower, was sacked on Friday. [...]

According to the inquiry, before he was instructed, Priestley told officials he was a UK registered and chartered architect. — The Guardian

Something of an outsider architect, Fujimoto has never worked for another practice, which perhaps explains his firmly original approach. “I was scared of being rejected,” he says. “And if I had gone to work for another architect, they might have overpowered me because I was so easily influenced.” — The Guardian