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The Palace at Versailles has announced that Olafur Eliasson will display his artworks at the palace and its gardens this year. The Icelandic-Danish artist's exhibition will be on view from June through October, following the well-received installations of contemporary art at the baroque symbol of absolute monarchy by Jeff Koons, Takashi Murakami, Portuguese artist Joana Vasconcelos, and French artist Xavier Veilhan... — artnet.com
Related:Olafur Eliasson wins a Crystal Award for "improving the state of the world"Olafur Eliasson opens ship-themed pedestrian bridge in CopenhagenOlafur Eliasson Wants You to Design Utopia (Out of Legos)Olafur Eliasson turns Louisiana MoMA into a 'Riverbed' View full entry
Imagine visiting a museum while playing a video game. DiMoDA is essentially that: the museum in the machine, the shell in the ghost. Whoever has played Super Mario 64 will be right at home. With “wings” that you visit through portals housed within the museum’s “walls,” DiMoDA is a gateway station to art. With that in mind, Salazar-Caro took an iconic approach to the design of DiMoDA, making it recognizable and striking amid what will be a mutable, shifting cosmos of wings... — Hyperallergic.com
"You can visit DiMoDA on your Mac or PC, or with the superior Oculus Rift experience that is available to visitors at TRANSFER. The gallery also has a 3D printed model of DiMoDA by Salazar-Caro on display, along with a non–Oculus Rift DiMoDA station. Somewhat ironically, it turns out that the... View full entry
...What [Gehry's Guggenheim Bilbao] showed, [is that] if you picked a remote part of the world and put a world-class museum in it, the world would beat a path to your door. That's the so-called "Bilbao Effect," but you'll notice that doesn't mention art; it mentions tourism, travel and finance.
I feel we're in a strange time where we're building furious Potemkin villages of seeming life, behind which, if you looked with the right eyes, you would see cobwebs and skeletons.
— NPR
NPR has curated a list of noteworthy-quotes from Michael Lewis, an art history professor at Williams College, who's interviewed in the recent issue of Commentary Magazine.Never before has art sold better or museums drawn larger crowds. Yet, according to Lewis at least, most Americans have become... View full entry
The design is relatively straightforward and free of OMA’s usual quirky structural tricks, once you get past the sliding entrance portals. Plywood-lined steps...lead you to an educational area, where visitors can explore the Garage digital archive, and back down the terraced levels of a bookshop. Up on the main gallery floor, there’s a big open space, currently filled with ping-pong antics...When the building is finally completed in [Sept.], a big red staircase will lead up to an open roof-deck. — The Guardian
The Garage Museum of Contemporary Art opened this week in Moscow. Described by Rem Koolhaas as "not restoring the building, but preserving its decay," the OMA-helmed intervention comprised sheathing a Soviet-era restaurant in a polycarbonate skin. Funded by Dasha Zhukova, the museum is... View full entry
...The Collectivity Project is about more than just play. Eliasson conceived of the project as a way to bring people together and allow them to create a utopian society, if only in miniature form. The idea, which is up until September 30, is at home at the 10th Avenue and West 30th Street section of the High Line, where the sounds of construction buzz in the background. — Art Net
The project, which has previously had iterations in Norway and Albania, comprises a station set up on the High Line with piles of white lego pieces. The public is invited to collaborate on creating a miniature city. To kick off the fun, the High Line invited ten of the city's best-known firms –... View full entry
The fundamentally architectural character of "Urban Light" -- the artist called it "a building with a roof of light" -- was no anomaly for Burden, who grew up in France and Italy and studied at Pomona College and UC Irvine. Themes connected to architecture and urbanism run through his work, typically with the same wry attitude about the relationship between structure and art-making that the lampposts suggest. “Originally I was going to study architecture,” Burden said at a lecture...in 2003. — LA Times
The conceptual artist Chris Burden died two days ago at the age of 69. View full entry
With almost two weeks left before its public opening, the Whitney Museum of American Art’s new Renzo Piano-designed building is already shaping up to be one of the most talked-about buildings of the year. The 200,00 square-foot exhibition space is the long-awaited, and controversial... View full entry
The Whitney Museum of American Art has yet to open its doors in a new location in the meatpacking district, but on Tuesday night it unwittingly played host to its first radical art exhibition. At 11 p.m., activists from groups including Occupy Museums and Occupy the Pipeline gathered on the street in front of the museum for a performance art-style demonstration about a natural gas pipeline that is adjacent to the $422 million building and its vast art collection. — NY Times
Now visitors will be able to descend from the Hayward gallery’s glass pyramid ceiling to its entrance level on one of two 15-metre slides commissioned for an exhibition opening later this year. Built into the gallery’s exterior wall, the slides will “constitute a graceful sculptural installation” while also being a device for “experiencing an emotional state that is a unique condition somewhere between delight and madness”, [Carsten Höller] said. — The Guardian
Previously, Höller had created a similar installation for the Tate Modern's Turbine Hall in 2006. The slides were very popular with the public, although also responsible for several injuries.For his upcoming exhibit at the Hayward Gallery, Höller has also created "Flying Machines," which are... View full entry
Next month, New York-based gallerist Gavin Brown will open a Rome gallery in an unexpected location: an 8th-century church named Sant’Andrea de Scaphis at Via dei Vascellari 69 in the Trastevere neighborhood... “It’s not that I was looking to open a place in Europe. I was looking to open this place in this building,” [said Brown] “I think a lot of people who run the kind of business I run have this real-estate problem...If you see empty buildings, you imagine what could be done there.” — ArtNews
