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From the opening of the Fondation Louis Vuitton in Paris in October to the construction of The Broad in Los Angeles now set to open this autumn, the model of the single-donor museum is thriving. [...] what will happen to these new institutions on the death of the founder or the decline in their collecting activity. [...]
To what extent have these museum founders made plans to ensure the vitality and flexibility of their prized institutions beyond their own lifetimes?
— theartnewspaper.com
China's wealthy patrons like Mr. Lu's family are underwriting a major cultural boom, spending billions of yuan on grand buildings to showcase impressive collections of art, antiques and other cultural rarities. Their largesse and ambitions echo American industrialists who sponsored the arts in the early years of the 20th century... — online.wsj.com
Recently in The Wall Street Journal, reporter Jason Chow interviewed real-estate developer Lu Jun and his son Lu Xun who finally opened the Sifang Art Museum for its first exhibition this past weekend in Nanjing, China after 10 years of construction. Spearheaded by Lu Jun and curated by... View full entry