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Daniel Libeskind, who has built a reputation working on historically and culturally sensitive projects such as the Jewish Museum in Berlin and the reconstruction of New York’s World Trade Center site, said beautiful architecture was no excuse for working with “morally questionable” clients.
“Even if they produce gleaming towers, if they are morally questionable, I’m not interested,” he said in the interview with The Architects’ Journal.
— independent.co.uk
Within the parameters of the building art there cannot be artists like Saul Bellow and Philip Roth or like Sidney Lumet and Woody Allen, who in books and movies probe the excruciating details of the Jewish encounter with American capitalism and lifestyle. Architecture cannot tell stories about one’s Jewish mother or one’s Jewish nose. Especially in the era of high modernism, architecture possessed limited expressive resources for detailed cultural critique. — Places Journal
Is there a type of Jewish architecture that unifies the work of Louis Kahn, Peter Eisenman, Frank Gehry, and Daniel Libeskind? Architectural historian Mitchell Schwarzer reviews Gaven Rosenfeld's ambitious book, Building After Auschwitz: Jewish Architecture and the Memory of the Holocaust, and... View full entry
I stuck to master plan — NYT
The architect Daniel Libeskind reflects on his Op-Ed from June 23, 2005, about his embattled master plan for rebuilding ground zero. He kind of alludes most important design decisions for the outcome was his. From the ashes of 9/11 rises Daniel Libeskind... What do you think? View full entry
Marking the decade since the attacks of September 11, 2001, Lebbeus Woods offers reflections on the context for the tragedy, and the reconstruction's bitter sense of business as usual — domusweb.it
In February 2003, Daniel Libeskind was named the winning designer of the international contest to rebuild the World Trade Center. After eight years of collaboration, controversy, and the typical cast of characters in any real estate nightmare, the final product that will tower over Lower Manhattan is not, in fact, the design that won the hearts of New Yorkers. — Inhabitat
It's not just in the eye. So the musical quality of space, a scientific interest that I had, mathematics, geometry and the cosmos and at the same time, of course, the interest in making something, in making, you know, making buildings, architecture. — NPR
Apparently Libeskind was a guest on NPR's Diane Rehm Show today. Transcript here - I haven't listened to it yet, but even though I usually can't decipher what Libeskind is saying, I'm going to try. View full entry
My idea in the master plan was that this was a place of the spirit. This is where people perished. It was not a piece of real estate any longer. You could not put a building there. — featuresblogs.chicagotribune.com
Previously on Archinect: Water On at WTC Memorial & On the 9/11 memorial and its disappointments. View full entry
The ceiling of a retail and leisure centre designed by Daniel Libeskind has collapsed for the second time in three years in the Swiss capital of Bern.
Two people were injured and one was treated for shock following the accident, which happened on April 12 in the swimming pool area of the city’s Westside centre.
— Building Design
Cork, Ireland, is the European Culture Capital 2005 and the 2001 Serpentine Pavilion designed by Daniel Libeskind and Cecil Balmond has apparently found a place to roost there. flickr View full entry
