Today it houses one of London’s best permanent collection displays, but the 1991 Sainsbury Wing extension to the National Gallery in London was almost scuppered when Prince Charles and the other trustees opposed the architect of the new building, Robert Venturi.

The row was over a false Corinthian column that the US architect wanted as a decorative feature on the Trafalgar Square façade of the new extension. — The Art Newspaper

Al describes CityCenter as the product of “the Bilbao effect: the notion that buildings designed by celebrity architects bring in tourists, and in particular a higher-end type of visitor”. MGM’s version was to bring in name-brand architects such as Daniel Libeskind, Helmut Jahn and Norman Foster [...].

“It goes against the casino design convention,” Al says, “by having towers that let in natural light and meet the street the way buildings do in other cities” – with retail spaces, not gaming. — theguardian.com

Michael Abrahamson currently a doctoral student in Architecture History and Theory at the University of Michigan provided a review of "Air Rights" – an exhibition by the Drone Research Lab (DRL) at the Taubman College of Architecture and Urban Planning...Responding either to the author or to projects found in the exhibition (perhaps both?), Darkman criticized "The BLDGBLOG type inquiry walks a fine line between futurism and self-indulgance"

Modern architecture, despite breaking with the past stylistically, nonetheless maintains this image of the gifted architect as a lone autonomous genius who overcomes gravity and prevails over his client [...]

Rather than an inner activity done in solitude, it has been found that people often discover their thoughts and ideas through interactions with others [...]

The centrality of collaboration in architecture is often overlooked in a culture celebrating and branding “starchitects.” — Lilith

The sort of patronizing language used in the letter by Lord Palumbo is all too familiar. It is the voice of money and authority, the same sort of voice that spoke out against the rights of the women, the poor, and minorities. It is, alas, the voice of what Brown describes as the "sad white men's award." — varnelis.net

“Insofar as you have in mind a retroactive award of the prize to Ms. Scott Brown, the present jury cannot do so” -Peter Palumbo, the Pritzker chairman — NYT

A historian might spend decades undertaking research in archives and writing up discoveries in scholarly journals, but if the work does not have a presence online — and, specifically, a presence that is not behind a paywall — it is all but invisible outside academia. As Ridge states, “If it’s not Googleable, it doesn’t exist.” — Places Journal

Robert A. M. Stern, the dean of Yale’s Architecture School, said he declined to sign the petition because he objected to its use of the word “demand,” but that he backed it in principle. “It would be wonderful for the Pritzker committee to review the situation and to offer her the prize,” Mr. Stern said. “The nature of the collaboration was so intense on every level.” — nytimes.com

Naturally, there were some projects that Bob worked on more and others that I worked on more. Sometimes our collaboration was more close than others. But I think our best projects were when we worked together. I remember so many real tousles—and those were the projects that worked out best. — Architect Magazine

In a speech prepared for the AJ Women in Architecture lunch, Scott Brown called on her role in Robert Venturi’s 1991 win to be acknowledged retrospectively. Describing it as a ‘very sad’ situation, she said: ‘They owe me not a Pritzker Prize but a Pritzker inclusion ceremony. Let’s salute the notion of joint creativity.’ — architectsjournal.co.uk