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Robert Adam, founder of ADAM Architecture, has been named the recipient of the 15th Richard H. Driehaus Prize, an award given each year to an architect "whose work has had positive cultural, environmental and artistic impact in keeping with the highest ideals of classical architecture in... View full entry
A Government minister has declared war on “brutalist” architecture, arguing that it is “aesthetically worthless” and embodies a “cult of ugliness”.
John Hayes, a transport minister, said in a speech that the Government would be the “vanguard of a renaissance” in architecture by rebuilding a Doric arch that stood outside London’s Euston station before it was demolished in 1962.
— The Independent
"Politicians speak a lot and sometimes they speak sense," the British Minister for Transport John Hayes states at the beginning of a speech that makes a case for a return to "beauty" in public architecture. Specifically, he takes aim at brutalist transit stations and promises to rebuild the... View full entry
If Poundbury is a game, it is one that has become a good deal more convincing over time. For years derided as a feudal Disneyland, where Prince Charles could play at being planner like Marie Antoinette with her toy hamlet in Versailles, this supposed ghost town feels increasingly like a real place...[Strip] away the fancy dress and you find a plan that far exceeds the sophistication achieved by any modern housebuilder. — Olly Wainwright | the Guardian
“We are engaged in creating a convincing fake,” [Ben Pentreath, an architect who has worked in Poundbury] says. “All architecture is essentially wallpaper: underneath, it’s all the same stuff.”More New Urbanism:Scott Merrill wins the 2016 Driehaus PrizeIn Chicago, forming economically... View full entry
Today it houses one of London’s best permanent collection displays, but the 1991 Sainsbury Wing extension to the National Gallery in London was almost scuppered when Prince Charles and the other trustees opposed the architect of the new building, Robert Venturi.
The row was over a false Corinthian column that the US architect wanted as a decorative feature on the Trafalgar Square façade of the new extension.
— The Art Newspaper
New to Archinect, Julia Ingalls penned an essay, titled Material Witness: Insanity in the walls of '"True Detective" and "Twin Peaks". Olaf Design Ninja_ offered a complement "A good visceral read like a true detective watch...This would almost suggest the inert quality of this line between... View full entry